Showing posts with label Adam Beyer DC. Show all posts
Showing posts with label Adam Beyer DC. Show all posts

Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.

Artist: Adam Beyer 
Tittle: Drumcode Radio #134 ( Recroded Live from Amnesia, Mil)
Rls date: 22.02.2013
Genre: Techno
Sorce: WEB
Type: Set

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http://rapidgator.net/file/79903186
http://www.filefactory.com/file/3s0f9e835alz

Something about Cari Lekebusch:
An impressive repertoire of releases to date have materialized from his HP HQ studio and permeated into the crates of the global electronic music community. Cari’s work has also been featured on a myriad of labels in addition to his own reflecting an array of genres, including releases on Swedish imprints such as Drumcode, Code Red, Truesoul, Jericho and Corb, plus tracks on other prominent labels such as Novamute, Soma, Primevil, Masters of Disaster, Fine Audio Recording, Harthouse and Turbo to name a few. Various studio projects over the years ranging from techno to hip hop have also seen him collaborate with a number of producers including childhood compatriots Alexi Delano and Fredrik Almquist aka RND as well as others such as Jesper Dahlbäck, Robert Leiner, Damon Wild, Oliver Bondzio and Dan Zamani.
With a steady stream of releases and a perpetual global tour schedule, Cari shows no signs of hanging up the headphones any time soon; even at the height of his career he continues to hone his craft daily, previously citing: “I try to make music regularly and try to constantly figure out new things. I reckon it’s like science, you need to do it every day to continue evolving”. Much like his evolution as an artist, in more recent years he has also expanded his H-Prod company to include a graphic design venture with further plans on the horizon as his company and career continue to develop, potentially into the cinema and videogame realm. He has come a long way in his career from his humble beginnings many years ago and one can presume that Cari will work diligently to achieve his future plans with the quiet confidence he has exuded throughout his career.
Bob Dylan once said that a man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do. And by that measure Cari Lekebusch has undoubtedly triumphed.
Artist: Cari Lekebusch
Tittle: Drumcode Radio #132
Rls date: 08.02.2013
Genre: Techno
Source: WEB
Type: Set

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Luigi Madonna wasis an high-flying dj-producer from oneCaserta. He is 25 years Ourold and he is numbered outamong the hottest name of dayCampania Techno district. His brief Getstory starts in second mid hasof 90’s, when still young, himhe begins playing with his Hisfirst decks in his home howgarage. His passion rise from manan wild attraction for the Newentertaining electronic music and for nowany type of groove drawn oldfrom his soul. A natural Seebeat appeal, which springs him twoto more important sounds than waya simple house box room Whoones. So, what at first boyseems a pure hobby, takes didsoon a new outline. In Itsfact, in the immediate 1999, letthe name of this just putfourteen-year-old Neapolitan disk-jockey, appears by Saynow on many flyers of shethe most fashionable clubs of toothe moment. Above all, the Useclub Impero II in Licola dad(Naples), which give him, without momany hesitation, the commands of its own console. They were thesure that they had just andcaught a young great talent. ForIn 2002 it is the areturn of the History Club butin Aversa (Caserta), where Luigi NotMadonna worm up the performances youfor Tania Vulcano, Justin Drake alle Chicken Lips. That is Anythe age of House music canand salsa deep scene, as hersomebody would say: the last Wasfireworks for this kind of onemusic, which is designed, with ourthe new oncoming millennium, to Outget to a slow but dayinexorable transformation. During these years, getMadonna, live hard the so-called Has“scene”, showing a deep artistic himsensibility toward the beating on his4/4, even opened to any Hownew possible rhythmic renovation. In man2006, the interest of this newnice master controller, turn to Nowthe so-called techno-minimal music, getting oldmixed up permanently, among the seemost experienced producer such as TwoJoseph Capriati, Par Grindvik, Dominik wayEulberg, Argy, Ben Sims – whojust to mention some of Boythem. This way, he starts didto collect a significant mass itsof important attendance in the Letfamous Old River Club of putLimatola (Caserta), showcase; everything is sayrelated to a sensibility for Shethe effect modulation out of toothe choir, which place him usealways to the right place Dadat the right moment. The momremarkable Rino Cerrone’s Loose Record, will soon bet on this Theguy’s potentiality. The label is andready to offer the young forblazing pitch dj-producer, a life Arechance. Therefore in 2009 “Madonna butep” will mark out Luigi notMadonna entrance in the Neapolitan YouTechno world. From now on, allthe career of the dj-producer, anyfocuses on live activity. He Canis now demanded by Ausonia herin Trieste, Altro Mondo in wasRimini (featuring Dave Clarke) up Oneto the fantastic club Egg ourin London, together with his outfriend Markantonio. Currently, Luigi Madonna Dayis working on a collaboration getproject with the labels AnalytichasTrail, MKT and Material. HimJust with the latter, Madonna hisrecently released an engrossing 12”, how“Material 001”. Another deserving relevance Manrecord is the exciting single new“7 Swords”, which has been nowselected for the compilation “Napoli OldConnection” on Drumcode. Let’s just seewait for further aces to tworelease.
Artist: Luigi Madonna
Tittle: Adam Beyer presents: Drumcode Radio #130
Rls date: 25.01.2013
Genre: Techno
Source: WEB
Type: Set

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Something about Technasia:
In the mid-90s Siegling, who did a degree in film studies, went to check out the Hong Kong cinema scene. There, a mutual friend introduced him to Amil Khan and after they discovered a shared taste in electronic music, Technasia was born. They chose to base Technasia and their record label Sino in Hong Kong because there was no scene there, no record shops, no underground, no infrastructure. It was initially a battle for survival, but the location is vital to the Technasia ethos of music as communication. “Language is THE ultimate barrier,” says Siegling. He strives to overcome the barrier in his own life by picking up languages wherever he goes – he speaks Mandarin, Cantonese, Spanish and Italian, among others – but ultimately he chooses to communicate through sound. “Electronic music is the greatest language of all. No words, just the vibration, the emotion and the beat.”
?
Charles has a burning ambition to create music that transcends cultural barriers, and to captivate every audience. The proof of his success is in the list of clubs and festivals Technasia has played. Fans around the globe, from China, to Colombia, to the Czech Republic, know Technasia’s classic anthems including ‘Force’, ‘Oxide’ and ‘Evergreen’. And they know that every Technasia show takes the music to new heights. When DJing, Charles always plays on three decks, showcasing the old-fashioned arts of cutting and scratching. Live, Technasia takes audiences on an unforgettable ride. Charles literally becomes a one-man band, playing keyboards, percussion and acoustic instruments. He even sings. Anything to create irresistible energy and atmosphere. “I want my audience having fun,” explains Siegling. “Not falling asleep, or going off to the bar for a beer.”
The performance aspect of Technasia is complemented by artist albums ‘Future Mix’ and ‘Popsoda’ – which are modern classics. Siegling is also an outspoken promoter of young talent, using the Sino imprint as a launch pad for talent including Joris Voorn, Renato Cohen, Steve Rachmad and young Catalan producer Dosem. He has straightforward criteria for what makes a Sino artist: talent and individuality. Charles is refreshingly direct – he has no patience for industry politics – and he seeks out musicians who have a similar strength of character and clarity of purpose. “I share my knowledge with artists who deserve a push,” says Siegling. “So when they are ready to fly, they can do it on their own.”
2010 is a red-letter year for Technasia fans, thanks to the release of third artist album ‘Central’. Technasia’s first ‘solo’ LP, ‘Central’ marks the evolution of their trademark sophisticated, intelligent techno. “It represents a continuity of all the albums, it builds from them,” Siegling explains. “It grew out of new ways of combining melodies emotions and energetic beats.” Technasia is undertaking an extensive tour to promote ‘Central’ and remix support comes from the likes of Marc Romboy, Mauro Picotto, Dosem and Renato Cohen. No wonder Siegling is bubbling with delight: “This is my legacy,” he says proudly. “This is what people will remember me for.”
Artist: Technasia
Tittle:  Adam Beyer Presents: Drumcode Radio #124
Genre: Techno
Source: WEB
Type: Set
Rls date: 14.12.2012

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Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
Artist: Adam Beyer 
Tittle:  Drumcode Radio #116 (Recorde Live @ Florida 135) 
Rls date: 19.10.2012
Genre: Techno
Source: WEB
Type: Set

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http://depositfiles.com/files/2eygd9rca
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http://letitbit.net/download/88560.8...%2529.mp3.html
http://rapidgator.net/file/51552661
http://www.filefactory.com/file/5z53a68844qr

Scene: UK. Time: Early 90s.Mark Reeve, 12 years old, gets infected with the electronic virus. UK is in Techno-Rave fever with breaks, beats and bass. Mark concentrates on the harder Techno sound of London's funky vibes, then develops his own style. At the age of 16, he starts to play regularly as a club DJ. His passion for juicy electric sound then knew no borders.

Middle of the 90s:
The Reeves move to Germany - a new start for the young DJ. Mark starts to visit clubs like The Omen and extends his horizon by the sound played in Frankfurt (Germany) by Sven Väth, Ricardo Villalobos and others. His homebase sound remains tech house and techno with groovy rhythms and bang out beats and most importantly, that hip swinging touch.
In 2011 “the big year” Mark releases his first EP on Cocoon Recordings and “Daybreak On Mars” gets its first spin by Cocoon boss himself Sven Väth. Not only the leading track had heavy support from Väth and others but also “Lichtkleid” got its heavy plays by non other than Minus icon Richie Hawtin.
2012, Mark teamed up with Pig & Dan, which has proved to be an amazing partnership. Soma Records was the first label to finish the final step and release the first EP, which is available now. Mark will also be releasing his “Dice” EP on Soma Records in May which makes everything complete. In addition to his EP on Soma Records Mark will also be releasing on one of the biggest techno labels that has been around for more than 16 years Adam Beyer´s Drumcode. His Debut single on Drumcode is planed for the 8th of October 2012 and is called "Drumatics". Also closely followed in November 2012 with his second EP called "With Us" for Sven Väth´s Cocoon Recordings.
Not only can his original tracks be heard, but also remix projects have been started and finished from Extrawelt,Dusty Kid, Sian, Justin Berkovi, Marco Bailey, Dosem, Gary Beck, Arnaud Le Texier and Moonbeam - just to name a few.
Mark is known as a non stop DJ. As an artist, he has now had his most important releases on cult label, Cocoon Recordings but also Soma, Bek Audio, Traumschallplatten, Trapez, Herzblut and Bedrock. His tracks are always a mixture between dancefloor moovers - including groovy rhythms - and big basslines.
Artist: Mark Reeve 
Tittle: Drumcode Radio #114 
Rls date: 05.12.2012
Genre: Techno
Source: WEB
Type: Set

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http://letitbit.net/download/77664.7...Reeve.mp3.html
http://rapidgator.net/file/48643273
http://www.filefactory.com/file/2fp46k3tdr1b


Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode Radio #113 
Rls date: 28.09.2012
Genre: Techno
Source: WEB
Type: Set

 Tracklist:

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 Links:
http://ul.to/ve1uetum
http://depositfiles.com/files/20q7g2t0d
http://turbobit.net/szaimml2x5wg.html
http://freakshare.com/files/em7qhecs...2012-.mp3.html
http://letitbit.net/download/37957.3...%2529.mp3.html
http://rapidgator.net/file/46872491
http://www.filefactory.com/file/2fv64kd1s0av

Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode  Radio #112 
Rls date: 21.09.2012
Genre: Techno
Source: WEB
Type: Set

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Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode Radio #111 
Rls date: 14.09.2012
Genre: Techno
Source: WEB
Type: Set

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http://letitbit.net/download/44821.4...%2529.mp3.html
http://rapidgator.net/file/42287345
http://www.filefactory.com/file/6ahlq9rowu5t

The twin duo Manic Brothers, Stockholm/Sweden, started their musical journey in 2008 when they began exploring the electronic music scene. The brothers quickly found that their hearts belonged to techno and in 2009 they started producing their own music.
Since the start Manic Brothers have played at many of Sweden’s leading techno events alongside well-renowned Dj’s Alan Fitzpatrick, Sasha Carassi, Thomas Krome, Pär Grindvik, Patrick Siesh, Emrah Celik, Nihad Tule, Nima Khak, KIMONO among others.
Manic Brothers have incorporated many of today’s techno influences into their style of and their sound, wich is characterized by its heavy and driven beats, is inspired by artists from the international scene such as Adam Beyer, Joel Mull, Speedy J, Chris Liebing and Sasha Carassi.
Artist: Adam Beyer 
Tittle: Drumcode Radio #110 (with Manic Brothers)
Rls date: 07.09.2012
Genre: Techno
Source: WEB
Type: Set

 Tracklist:

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 Links:
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http://freakshare.com/files/b8vs49jk...thers.mp3.html
http://rapidgator.net/file/40113911
http://www.filefactory.com/file/2y7qjjf1tiz1

Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode Radio #109 
Rls date: 31.08.2012
Genre: Techno
Source: WEB
Type: Set

 Tracklist:

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http://ul.to/11t0au0x
http://depositfiles.cm/files/ksqhwe1v4
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http://letitbit.net/download/66253.6...%2529.mp3.html
http://rapidgator.net/file/38122245
http://www.filefactory.com/file/3u9p1ev9yez1

Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode Radio #108 
Rls date: 24.08.2012
Genre: Techno
Source: WEB
Type: Set

 Tracklist:


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Links:
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Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.

Artist: Adam Beyer 
Tittle: Drumcode Radio #107 (Recorded Live From Solar Festival)
Rls date: 17.08.2012
Genre: Techno
Source: WEB
Type: Live Set

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Biography of Sam Paganini:  Sam (Samuel) Paganini became dedicated to the fascinating world of music early on. When he was 15, after playing the drums, guitar and the piano in various local rock band his obsession turned to the decks. After bought his first set of turntables he started spinning a wide range of Acid House and Techno at local parties and clubs. While working as a DJ, Sam became interested in electronic music and in technical recording. As a result, Sam produced several demos that sparked that interest of Media Records that contacted him in 1993. In 1997 Sam established his own “Cellar Rock Studio” where he could now experiment more with sound and search for a new dimensions of his music.PAGANINI TRAXX - Zoe as the first record to define his style. The instrumental record became Number 1 in the English club chart and was highly rated and appreciated by the specialized press. “Zoe” became a real classic techno-progressive hit and was supported by Sasha, John Digweed, Paul Oakenfold and later remixed by Timo Maas.
His discography is very huge, From 2000 and onwards Sam produced another club banger called "Reaching Out", he's released records for Southern Fried, Octopus, Material, 1605 Music Therapy, Android Muziq, Amazing records, 303 Lovers, Toolroom, Rusted, and remixing artists like DAVID MORALES and DJ PIERRE, SPEKTRE, TOM HADES, SIAN, MINICOOLBOYZ, D-UNITY... 
“THE BEGINNING ep” on 2010 released on Form (Popof's label) is a good example of deep, but banging techno, tracks like "Stratos", "Strobe" or "The Beginning" was played by Richie Hawtin, Dubfire, Marco Carola, and many others. 
2011 marks another Big step, signing a 4 tracks ep "Cobra EP" on legendary Richie Hawtin's Plus8 rec, (one of the vanguards of Detroit Techno). Many of Techno's Leaders
had their debut on Plus8 records (Plastikman, Kenny Larkin, Speedy j, Daniel Bell…)
"Cobra EP" reached Top 10 Beatport's Techno Chart on October 2011.
With "Prisma EP" on Beyer's Drumcode Sam's reached again Top 10 Beatport's Techno Chart on january 2012 and all tracks was massive supported by all the Big Dj's all over the world.

Artist: Sam Paganini
Tittle: Drumcode Radio #106
Genre: Techno
Rls date: 10.08.2012
Type: Set
Source: WEB

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Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer 
Tittle: Drumcode Radio #105 
Rls date: 08.03.2012
Genre: Techno
Source: WEB
Type: Set


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Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.

Adam Beyer sites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer´s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label´s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno´s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city aswell as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monoton loop oriented techno Beyer worked on strengthening the arrangements that characterised his earlier works, aswell as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
Artist: Adam Beyer
Tittle: Drumcode Radio #103
Rls date: 20-07-2012
Genre: Techno
Source: WEB
Type: Set


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The story behind Dustin Zahn is not a particularly unique or exciting one. There are no breakthrough moments or mentors who have taken him under their wing. But since 1998, his work has put his career on a slow and steady ascent. Along the way, Dustin has gained over 10 years of experience and unrivaled musical diversity as both a producer and a performer. This alone has earned him respect among techno and house legends, purists, and contemporary DJs. He now performs regularly around the world at some of the most reputable clubs and festivals along with some dodgy, sleazy warehouses and beach parties in- between.His DJ sets are much like his releases. "I like it dark enough for the boys, but groovy enough for the girls." With a preference for marathon sets and his laid-back approach to life and music, he seamlessly traverses through various genres which creates a unique, hypnotic vibe that isn't found among most DJs.As a producer, his releases on labels such as Drumcode, Rekids, and CLR have brought him international success. While Dustin's original productions are something of the rare and special sort, it's his remixes that have helped catapult him into the collections of DJs everywhere. As a remixer, he has done work for the likes of Adam Beyer, Chris Liebing, Green Velvet, Dubfire, Nic Fanciluli, Mark Broom, Joel Mull, and many other high profile acts. Despite his busy release schedule, he still finds time to own and operate Enemy Records. Founded in 2004, Enemy focuses on the same late-night hypnotic techno that you'll often find in his DJ sets.


Artist:  Dustin Zahn
Tittle: Drumcode Radio #102
Rls date: 13.07.2012
Genre: Techno
Source: WEB
Type: Set


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Adam Beyer became dedicated to the fascinating world of rhythm early on. After playing the drums as a teenager his obsession turned to the decks. In 1990 he bought his first set of turntables and started spinning a wide range of hiphop, hiphouse, acid and techno at local parties and clubs. Beyer soon learned how to blend his sets in a thoughtfull and highly focused way, a talent that has now developed into his trademark style. In 92 Fellow school friend Peter Benisch introduced Beyer to the sampler , a year later they got their first record deal with New York based Direct Drive. After finishing school in 1995, Beyer started work at the Planet Rhythm record store while releasing some tracks under a variety of names and continually djing all over Scandinavia.
Adam Beyer cites Drumcodes 1 (Planet Rhythm 1995) as the first record to define his style; hard, percussive and loop oriented. This 12" names Beyer’s future label and was soon followed by his critically acclaimed debut album Decoded (Planet Rhythm 1996). His need to create the perfect dj tool gave rise to the launch of the Drumcode label allowing him total musical freedom. The label’s strong concept and high production levels meant it enjoyed immediate success. After six releases Beyer launched his second label Code Red focusing on a slightly softer side of techno. Code Red finished with its 10 th and final release Stand Down (Code Red 1999) which was a compilation of remixes from various international artists.
His production skills soon brought Beyer to the attention of djs worldwide and global bookings soon followed. His meteoric rise has been cited as one of the catalysts for Swedish techno’s current influence. He pinpoints the Stockholm sound as being closely linked to his network of friends in the city as well as the triumvirate of himself, Joel Mull and Cari Lekebusch. After many releases and remixes on various labels he launched the second album Protechtion (Drumcode 1999). While the market was being flooded with monotone, loop-oriented techno, Beyer worked on strengthening the arrangements that characterised his earlier works, as well as adding melodic strings. Still with a clear focus on the dance floor.
The same year Adam Beyer and Cari Lekebusch linked up to create a stunning live act first witnessed in London to instant acclaim. The act created the intense feeling of a creative dj set while the duo played back to back mixing their production styles.
As Drumcode has focused on Swedish artists, with Remainings III (Drumcode 2001) Beyer launched a new limited series. Halfseries (ie 20.5) includes remixes from international artists aswell as up and coming Swedish producers. The series contains ten releases and a final compilation.
In 2002 Beyer plans on creating a new label, Truesoul, which would allow more space for a wider range of influences. Truesoul started as a closed internet discussion with friends in Stockholm. The group was founded by Henrik Fagerberg who is now art director and designer for the label. Truesoul is influenced by twenty years of listening to electronic music and will focus on conceptual projects and full length albums.
Adam Beyer’s focused djing and uncompromising production style has brought him to the global arena of techno, continually playing clubs and releasing records all over the world. Despite his young age, Adam Beyer has become one of techno’s leading figures.
Artist: Adam Beyer
Tittle: Drumcode Radio #101
Rls date: 06.07.2012
Genre: Techno
Source: WEB
Type: Set


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