Something about Dave Clarke:

When his parents split, he ran away from home, sleeping rough in car-parks before a friend offered him floor-space. The only thing that kept him going was music. From soul to the Psychedelic Furs, from Devo to the nascent Chicago house sound, Clarke devoured it all voraciously and blagged himself a DJ slot in Brighton. Soon such gigs provided Clarke with a meagre living, then in 1994 his reputation was sealed by a series of EPs known collectively as ‘Red’. The debut album ‘Archive 1’ followed, flecked with hints of breakbeat and electronica, a novelty in the puritanical techno scene of the time.

His mix CDs included the two best-selling ‘World Service’ outings (one of which made it into the top ten of best mix compilations of the 00's in Resident Advisor) which showcased his dual love for electro and techno, and he briefly signed to Skint Records, resulting in 2004’s ‘Devils Advocate’ album, a long-player jammed with dark techno energy but laced with hip hop beats. When his production pace ebbed Music Man Records gathered together ‘Remixes And Rareties’ in 2007, making Album Of The Month in Mixmag and receiving critical plaudits all over. There is, however, no denying things eventually went quiet on the production front.

Clarke greets this with a dramatic pause. “If I’d stepped into a studio then I could have done what I’d already done but I didn’t want to do that, I want to do something I haven’t done.” He pauses again before going on. “I think it’ll happen,” he allows, “I’m not going to leave it forever...”

In the meantime he has plenty else on. Moving finally from rural sedate Sussex to Amsterdam revitalized him.

“I felt quite excluded when I lived in the countryside,” he admits, “whereas my home in Amsterdam is a fifteen minute walk from most venues so I’ve seen Patti Smith, Queens Of The Stone Age, The Horrors, Holy Fuck!. There’s no excuse not to go so that’s very inspiring.”

He’s also built up his White Noise radio show on the Dutch station 3FM (also archived at the award-winning http://3voor12.vpro.nl), interviewing artists ranging from John Foxx to Coldcut to Broken Social Scene but the thrust of the show is still to cast light on exciting new music.

“The most important point is to air music that other stations and DJs don’t have the power to,” he says, “music that wouldn’t normally be given a chance. I can just go where I want with it although it’s still 99% techno and electro.”

The same applies to his White Noise label. Emphatically not a vanity project for his own releases, it has instead hosted boutique vinyl pressings (alongside the usual digital fare) for gleaming new material by artists such as Frank Kusserov, Noirdegout, Woody McBride, Marco Bernadi, Terence Fixmer and The Hacker. These and other tunes will be chopped, hammered, filleted and turned on their heads during Clarke’s DJ sets. That’s where he comes alive, where skills honed for years blow venues apart. A 2009 highlight, for instance, was the fifteenth birthday party of FUSE, the Brussels club where his standing is second-to-none, where he’s developed an extraordinary relationship with the crowd. He speaks of it with his breath catching, as thrilled as ever by the ride the music takes him on.

Artist: Dave Clarke

Tittle: White Noise
Rls date: 10.02.2013
Genre: Techno
Source: WEB
Type: Set

Tracklist:
Chance McDermott - Do Not Conform (Original Mix)
Ben Sims - The Little Jam
RRKS and Komabase - Hard Business
Armando Martins - Piupiu (Jeroen Search Remix)
Joton - Off Duty
Petar Dundov & Gregor Tresher - In The Woods
Ken Ishii - The Buddahs Ear (Original Mix Bass 2)
Stormfield - Rebuild (DEFEKT Remix)
Dj Surgeles - Electrologist
Pip Williams - Pleasure Deficiency Syndrome
Romplex - Elevate The Soul
Versalife - Normal behavior
The Exaltics - Second Phases

Listen & Download:

Techno pioneer Dave Clarke has always mined the edges of the mainstream for his explorations into speaker-bustin’ dance music. The one-time hip hop and soul DJ spun hip hop deep into the mix of his 1996 debut Archive One, but on his second album Devils Advocate, he’s digging even deeper.
"The heart and soul of my record, and the heart and soul of all the music I’ve ever loved is darkness and attitude," he says. Hence the flinty hip hop, filthy electro and bass-heavy post-punk that is wound around techno and house throughout the new record – released on Brighton’s Skint Records. "I was about nine years old when The Ruts and The Damned were about and I got the records. They’re still references for me now. ‘Machine Gun Etiquette’ by The Damned is still one of my favorite albums of all time. And I loved the way Bauhaus was gothy cool, not over-goth. I was very into that."
The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"
His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.
So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.
Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

Artist: Dave Clarke 
Tittle: @ Awakenings Festival - Spaarnwoude - Netherlands 
Rls date: 30-06-2012
Genre: Techno
Source: WEB
Type: Live set


Tracklist.
Mike Humphries & A.Paul - Test Range (CDr)
Angy Kore - Turn It Up (Ritzi Lee Remix) (CDr)
George Lanham & Mr Jones - Collab #3 (The Public Stand - TPS011)
Adam Jay - 54 Hurtz (Phobiq - PHOBIQ019D)
Dave Clarke - Thunder (Deconstruction - 74321 306991)
Renato Cohen - Pontapé (2012 Remake) (CDr)
Angy Kore - Dthd (Spark Taberner Remix) (CDr)
Ben Sims - I Wanna Go Back (Unsubscribe Beat Da Box Remix) (CDr)
Dj Funk - Run (UK Extended Mix) (Pro-Jex - PROX014)
Mr. Jones - Three Dozen (A-Brothers Black Carpet Remix) (Mixtape Records - MXTR 020)
Dj Pierre - ACiD (Pierre’s ACiD FACE Mix) (Boysnoize Records - BNR TRAX 13)
Green Velvet & Harvard Bass - Techyes (Relief Records - RR 2048)
Armando - Downfall (The Advent Pay Your Respect Remix) (Slap Jaxx - SLAPX010)
Tim Wolff - Arpeggi Yo (CDr)
Tim Wolff - Backstage Fridge (Jeroen Search Remix) (Dynamic Reflection - CDr)
Ritzi Lee - Hypnopunk (Mastertraxx - MAXX 028)
Glenn Wilson - Calibrate (Mastertraxx - MAXX 028)
Basement Jaxx - Flylife (Joey Beltram Remix) (CDr)
Joey Beltram - MU 2 (CDr)
Dave Clarke - Wisdom To The Wise (Boys Noize Remix) (CDr)
Mike Humphries - Tactical Recon (Mastertraxx - MAXX018)
Ryogo Yamamori - Rock Your Body (CDr)
Sven Wittekind - Stolen Paradise (Sick Weird Rough - SWR27)
Green Velvet - Preacher Man (2012 Remix) (Relief Records - RR 2055)
Floorplan - Altered Ego (M-Plant - MPM15)
Seri - Lost Control (Angel Alanis Remix) (Slap Jaxx - SLAPX030)
Ryogo Yamamori - Alarm (951beat - 951BEAT006)
Black Asteroid - Engine 1 (Unsubscribe Remix) (CLR - CLR053)
Ben Sims - In The City (Orlando Voorn Mix) (Theory Recordings - THEORY 039)
Ritzi Lee - Reverse Processed (Theory Recordings - THEORY 038)
88uw - Communication Offline (Trust The Machine Remix) (Slap Jaxx - SLAPX019)
Joey Beltram - Mentasm New Mix (CDr)
Digitalism - Technorama (Boysnoize Records - BNR 0MM 14)

DIRECT DOWNLOAD

Listen & Download:

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke
Tittle: Live @ Locomia Club
Rls date: 06-08-2003
Genre: Techno
Source: WEB
Type: Live Set


Tracklist:


In Search...


DOWNLOAD

Something about Dave Clarke:

Techno pioneer Dave Clarke has always mined the edges of the mainstream for his explorations into speaker-bustin’ dance music. The one-time hip hop and soul DJ spun hip hop deep into the mix of his 1996 debut Archive One, but on his second album Devils Advocate, he’s digging even deeper.

"The heart and soul of my record, and the heart and soul of all the music I’ve ever loved is darkness and attitude," he says. Hence the flinty hip hop, filthy electro and bass-heavy post-punk that is wound around techno and house throughout the new record – released on Brighton’s Skint Records. "I was about nine years old when The Ruts and The Damned were about and I got the records. They’re still references for me now. ‘Machine Gun Etiquette’ by The Damned is still one of my favorite albums of all time. And I loved the way Bauhaus was gothy cool, not over-goth. I was very into that."

The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"

His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke & Tim Baker 
Tittle: White Noise 321 
Rls date: 12-02-2012
Genre: Techno
Source: WEB
Type: Set


Tracklist

Part One

1/2 of Rodney - I'll never suck the corporate cock
Trust the Machine - Pretty Basic
David Meiser - Waves of Pressure [mental remake]
Paul Mac - Retold For The Masses
Ben Sims - Slow Motion
Dj 3000 - Mariner (dub)
Dimi Angélis & Jeroen Search - Monopole
Ross Alexander - Sculpted Moments
Spark Taberner - You know why (320)
Tachini - MEESTERes 1
Gayle San - Anger Within
Defekt - Destroy Your Planet

Part Two

Mr. Jones - The Chronicals of never premaster
Lee Holman - Kawl 3.2 (Roman Lindau Remix)
Marc Romboy Vs Rodriguez Jr - Picnic Electronique Deetron Remix [Master]

Exclusive Mix from Tim Baker

Links:

http://uploaded.to/file/ah3qjdfj
http://depositfiles.com/files/9504azyt3
http://www.share-online.biz/dl/OWYZT9ZLB8Q2
http://turbobit.net/5mx15e0wf2yy.html
http://filefactory.com/file/c2733da/...02-12-2012.rar

Something about Dave Clarke:

Will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle: White Noise 317 
Rls date: 15-01-2012
Genre: Techno
Source: WEB
Type: Set


Tracklist:


In Search...


Links:
Dave_Clarke_-_White_Noise_3…rar (134,32 MB) - uploaded.to
Download Dave_Clarke_-_White_Noise_317_(3FM)-SBD-0 1-15-2012.rar for free o
http://depositfiles.com/files/l5dh0qo0m
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Something about Radionasty:

Keith Tenniswood (aka Radioactive Man and one half of Two Lone Swordsmen alongside Andrew Weatherall) has been privy to some of the most twisted machine funk to emanate from the UK in the last decade, and has hooked up with production partner Billy Nasty for the project Radionasty. Billy has taken techno to the world via his DJ sets and Tortured label. 

Radioactive Man (aka Keith Tenniswood) began his musical career, aged nine, when his father thrust a guitar in his hand. Destiny also took charge when he met up with Jagz Kooner and Andrew Weatherall - The Sabres Of Paradise - at night-clubs like 'The Drum Club', 'Full Circle' and 'Sabresonic' and began working with Weatherall manipulating the front of house sound on the Sabres 

tour. Having been an integral part in the Weatherall studio set up, it seemed a natural step that upon the demise of Sabres, Weatherall and Tenniswood should arise from the debris and form their own production team, the Two Lone Swordsmen. In 1996 they released their first album together as the Swordsmen, entitled 'The Fifth Mission-Return To The Flightpath Estate' on Weatherall’s own Emissions imprint. They have since recorded for Warp Records and Rotters Golf Club. 

Outside of the Two Lone Swordsmen, Tenniswood leant his talents to David Holmes’ 'Lets Get Killed' album and has also worked with The Aloof, Primal Scream and Red Snapper. He released his debut album also titled “Radioactive Man” on Rotters Golf Club, in September 2001. The album received many plaudits (amongst them, “One of the UK’s most underrated DJ/producers”) and established him as a producer in his own right, disassociating him from the 2 Lone Swordsman moniker. He has since released the album ‘Booby Trap’ and today he can be found DJing in the UK and overseas most weekends, and still finds the time to work on his own label Control Tower which he set-up with Simon Brown, aka The Dexorcist. 

20 years is a long time in electronic music, but that’s how long British techno DJ Billy Nasty has been at the forefront of the game. From early beginnings in London’s acid house scene to the huge global following he enjoys today, Billy’s continual hunger for new music, combined with his extensive experience, has made him one of the scene’s most enduring and in-demand figures. And with a current residency at BLOC festival plus a string of new releases coming up, Billy shows no signs of slowing down soon. 

Emerging from a background playing rare groove and funk, Billy’s first forays into house appeared during his residency at London’s The Brain Club, alongside Lost founder Steve Bicknell. Meanwhile, he manned the tills at Zoom, one of the capital’s most important record shops, soaking up everything from American house and techno to the emerging strains of British progressive and early European trance. Quickly making an impact, he was asked to contribute the first volume of the seminal ‘Journeys By DJs’ series – gaining him entry into the Guinness book of records for being the first DJ to produce a commercially available mix. 

As the dance scene of the early 90s splintered into numerous subgenres, Billy’s profile sky-rocketed, resulting in regular slots at famed London clubs Final Frontier, Open All Hours, The Drum Club and Strutt. Collaborating with a handful of likeminded friends, Billy’s studio work started to reach the public’s ears, and by 1995, he was jetting across the globe every weekend, spinning at many of the most famous clubs and festivals in dance music history. 

Around this time, he formed his own agency, Theremin, and was responsible in no small part for introducing the wider world to the talents of now-huge European DJs such as Adam Beyer, Marco Carola and Joel Mull. Meanwhile, his first label, Tortured, showed the development of his style into a harder, purer form of techno, and quickly became one of the genre’s most influential and prominent imprints. This was followed in 2001 by Electrix, where Billy released more experimental techno and electro from artists including Umek, The Advent and Carl Finlow. Again, this quickly became one of the leading labels in its field, and remained so until its closure in 2006. 

Having decided to wind down his labels to concentrate on DJing and studio work, Billy has spent most of the 21st century doing the same as he always has – sourcing out the freshest, most innovative, dancefloor sounds to spin. Incorporating the recent trends towards minimalism, along with dubstep, electro and classically-styled techno into his seamlessly-mixed style, Billy is a regular guest at Fabric, and holds a residency for the UK’s hugely acclaimed electronic music festival, BLOC, whilst continuing to travel the globe for gigs each and every weekend. 

As electronic music continues to splinter and evolve deep into the future, one thing is certain – Billy and Keith will be right there in the thick of it, doing what they do best. They kicked off the proceedings at the beginning of this year with the release of Radio 3 on the well received EPM 10 Compilation closely followed by a formidable DJ debut at the promotions company and label’s revered Off-Sonar Party. Later this year two more tracks, Radio 1 and 2, are set to be released on fabric’s musical directer and long time  resident Craig Richard’s label TYRANT giving the pair the vinyl platform that these tracks deserve.

Artist: Dave Clarke & Radionasty 
Tittle: White Noise 313 
Rls date: 04-12-2011
Genre: Techno
Source WEB
Type: set


Tracklist:


In Search...


Links:
Dave_Clarke_-_White_Noise_3…rar (191,83 MB) - uploaded.to
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Something about Luigi Madonna:

Luigi Madonna was born in 1985 and yet in 1996 starts his passion for the world of house music . Therefore two turntables, a mixer, headphones, first house records and a huge passion lead him to play in first clubs still very young . It's actually 1999 when he gets started at Impero II club . After just two years , 2001,electronic sounds influences lead Luigi Madonna to experiment new sounds . Innovation and experimentation provide him with a pass to many of the Campania's clubs booths obtaining a good success . 2004 is the year of musical turning point, infact Luigi moves his own first steps with musical productions , goal: minimal techno. The field is wide and the musical interest is oriented towards every kind of sound . Old river park represents for Luigi Madonna the official debut in one of the "sacred places" of techno music. There he manges to enrich his experience by playing with Joseph Capriati, Par Grindvik, Dominik Eulberg, Argy, Ben Sims and many others . In 2008 his first release , "Submarine", signed by Structure records, followed by important collaborations with "Simplex records", "Overdrive music" and others. The most meaningful project arrives in 2009 on the famous Rino Cerrone's record label, "Loose records", "Madonna e.p.".is released , actually showing a dynamic passion towards music and a endless research for new sounds , Luigi Madonna is carrying on a collaboration project with the labels of Markantonio "Analytic Trail" , "MKT" and soon... Mihalis Safras "Material"......

Artist: Dave Clarke 
Tittle: White Noise 310 (Guestmix Luigi Madonna) 
Rls date: 13.11.2011
Genre: Techno
Source: WEB
Type: Set


Tracklist:
Part One

Elbodrop - Annonymous
Virgil Enzinger & Submerge - Black Blade (Mike Humphries Remix)
Mr. Jones - Armory (Ben Sims Remix)
Mike Maass & Frank Sonic - Gomez (Adam Jay Remix)
Trust the Machine - Cat Spleen
Sunil Sharpe - Healing Hatred
Kereni - Panic Disorder (UrbanoRawRemix)
Caretta and WorkerPoor - Crash 3
GabeeN & Tosi feat. Gracie - Machine City (Darknet)
Mike Turrento - Smiling Noise
Simplicity is Beauty - agitator 257
The 15 dead Minutes - Red snow
Clatterbox - Data Stream
Mad Scientist - Interstellar Time Travel Theme (Mr. Velcro Fastener Time Shift Remix)

Part Two

Defekt - Incept
Orlando B - Back to Basics
Matt Whitehead - City Limits

DJ set from Luigi Madonna

Links:
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Something about Dave Clarke:

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle: White Noise 309 (Guestmix DJ3000) 
Rls date: 06-11-2011
Genre: Techno
Source. WEB
Type: Set


Tracklist:


In Search...


Links:
http://ul.to/o8fvrysn
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http://www.fileserve.com/file/SFEzQzt

Something about Mr Jones:

Paul Jones AKA Mr Jones:

Paul created Disclosure Project Recordings, and co-runs it with fellow director JP Phillippe.

Paul has work on labels such as Exquisite Music, Vivid Trax, Night Drive Music, Elevation, Body Rhythm, Deepology, Low Flow, 2600, Escada, Plastic City, Pesto, Acryl and has licensed tunes to Journeys by dj and EMI and much more

He has also recently been involved with remixes of Blaze - Lovely dae, Burnski - The flight remixes ep, Cloudsteppers - Make me shine and a whole load of others for some different artists and labels. All the current releases and remixes are readily available on beatport etc...

Current works are underway via his own label with CBass & Mikobene, Daniel Kyo, Soul Minority, Da funk, Ross Couch and a tonne of other well known and musically respected artists.

Alongside producing Mr Jones has been busy dj'ing in his home area at places like The Arena, The cornerhouse & held a long term residency at The Empire [Sugar Shack] Middlesbrough. Travelling farther south Mr Jones paid a visit to Petes 50th in London, as well as stints abroad in Ibiza at The orange corner, Poland at Cien club, and Dubai at 360. 

Not forgetting the various radio shows he has been on like Proton radio, Frisky radio, amdjs and a few others.

Pauls production partnerships are, "The Disclosure Project" and "JP & Jones".

Artist: Dave Clarke  
Tittle: White Noise 308 (Guestmix Mr Jones) (3FM)
Rls date: 30-10-2011
Source. WEB
Type: Set
Genre: Techno


Tracklist:


Part One

Marco Bernardi - Morbider
Digitizer - Machine Slave
Detroit Grand Pubahs - Club Sandwiches (Marc Romboy’s Systematic Soul Remix)
Jesper Dahlback - Space of Day (Alexi Delano Remix)
Submerge - Destroyer Of Worlds (Gary Beck Floom Remix) mastered
Go Hiyama - Harbinger
Untold - Little Things Like That
Future-Past - An Act Of Modulation
Ryogo Yamamori & Komabase - Bell
Tomohiko Sagae - Deburring Judgement Call (Makaton Mix)
Unevenratio - 0×13
Inigo Kennedy - Revenge

Part Two

UHU - Aqatezaya
Clatterbox - Data Stream
The Exaltics - The Hunch (Annihilate the Planet Mix)
Dave Clarke - Wisdom to the Wise (Aux 88 Remix)
Pip Williams - Computer Talk
Mad Scientist - Interstellar Time Travel Theme (Mr. Velcro Fastener Time Shift Remix)
UHU - Humans act like robots

DJ set From Mr.Jones

Links:

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Biography of Psycatron:

You'd be forgiven for wondering just where Psycatron have sprung from over the past few years to their current position as one of the leaders of a new school of techno on the international electronic scene. Currently one of the most in-demand Irish production outfits, live acts and DJs, their discography is beginning to read like an A to Z of the world's finest labels, while their tour schedule reflects the ever-growing number of fans honing in on Psycatron's forward-thinking take on techno. Although difficult to define, their sound has it's roots based somewhere between the dance music capitals of Detroit and Berlin, but it's Psycatron's distinctive Western European take on things that makes them stand out and peddle their own groove, regardless of what's flavour of the month.

In 2008 they'd became the first Irish act to appear on Carl Craig's Detroit based Planet E Communications. 'Deeper Shades Of Black' was and still is a Berghain anthem that became one of the label's biggest selling tracks and turned heads the world over on to this relatively unknown duo. Showcasing a sound that stands head and shoulders above the sea of mediocrity that exists in electronic music today, Psycatron releases are keepers. Tracks that will still deliver in 10 years time when the whole thing has gone full circle for the nth time. They've since delivered two more releases for Planet E with 'She Is Music' calling in the talents of Detroit hero Blake Baxter on vocals, while they further consolidated their long term relationship with the label when Carl Craig invited them to perform on the Planet E 20th Anniversary Tour, with label showcases at Berghain and in London all lined up for 2011.

Psycatron's ability to deliver timeless classics was further illustrated when legendary Belgian imprint R&S picked up 'Is What It Is', a pulsating melodic anthem that had 'end-of-night' written all over it and had the likes of Francois K scrambling to sign it for an exclusive mix compilation and amazing feedback coming in from Ewan Pearson to Sasha, Digweed and Derrick May, while Psycatron ended up on a roster of artists at R&S that begins with Aphex Twin and has Joey Beltram and Model 500 among it's ranks.

With two huge releases under their belts for two of the world's most well respected labels, it wasn't long before the remix offers came flooding in. Unkle, Secret Cinema, Alex Long, Vince Watson, The Psychonauts, Blake Baxter, Jamie Anderson & Jerome are among the many high profile names to have undergone the Psycatron treatment. By the end of 2009 they had Depeche Mode's Martin L Gore listing them as one of his favourite producers, they had tracks featured on the Essential Mix two weeks running and had interest coming in from all over the globe and gig offers racking up.

Throughout 2010 they appeared at some mammoth electronic festivals, from Detroit (Movement/DEMF) to the Amsterdam Dance Event for Dave Clarke's Annual White Noise bash at the Melkweg, while everywhere from Tresor in Berlin to the Rex Club in Paris hosted slightly more intimate club shows. On the release front they deliver 4 EP's and 5 remixes, including the follow up to 2009's 'Directions'/'Tipping Point' double-header for Christian Smith's supercool Tronic imprint with 'Celestial Symphony' marking their second release for the label.

Their increasingly popular Electronic Avenue Podcast hit it's first 10000 subscribers as the year drew to a close, while their mixes also appeared on WhiteNoise with Dave Clarke and John Digweed's Transitions which is broadcast to 42 countries globally. They rounded off the year with two collaborations, 'Thunder' and 'Cloud 9' (alongside Paul Woolford) was picked up and released by Sven Vath for his Frankfurt based Cocoon imprint, it featured as an Essential New Tune Contender on Pete Tong's BBC Radio 1 Essential Selection for two weeks running and closed Cocoon's 2010 release schedule with a bang.

2011 is set-up nicely with remixes of 'She Is Music' dropping on Planet E, an ep alongside fellow Irish producer Sian entitled 'Vertigo Of The Modern' appearing on John Digweed's Bedrock and further EP's on the way for Tresor in Berlin and Skryptom from Paris. A second critically acclaimed Transitions mix for John Digweed, podcasts for Data Transmission and Ibiza Voice and appearances on the like of Marc Romboy's Systematic Radio should ensure Psycatron's year continues where the last one left off. The UK, Ireland, France, Germany, Australia, South America and the Netherlands are all set to play host to the guys over the coming few months while they also settle in to the eight year of their residency at Irish institutions Shine and the Stiff Kitten where they've built a fiercely loyal local following and supported everyone from Sasha and Digweed to Carl Cox, Adam Beyer, Dubfire and Simian Mobile Disco.

Two years worth of consistently well-received productions alongside high-profile club and festival appearances has seen Psycatron stock rise considerably around the world and with 2011 off to a flying start, there are exciting times ahead.

Artist: Psycatron & Dave Clarke 
Tittle: Electric Avenue (Proton Radio) 
Rls date: 24-10-2011
Genre: Techno
Source: WEB
Type: Set


Tracklist:


Psycatron
01. Glimpse - If I Was Your Girl [Crosstown Rebels]
02. Uner - Bass Boot [Diynamix]
03. Laurie Anderson - Language Of The Future
04. Marc Ashken & Matt Tolfrey - Babygirl [Daniel Sanchez Mix]
05. Deepchild - Backroom [Kink Remix]
06. Losoul - 000000
07. Psycatron Ft Blake Baxter - She Is Music [Accapella (planet E)]
08. Jordan Fields - Textures [Edit]
09. Tim Wolff - We Gingen Weel Eens Door
10. Frankie Goes To Hollywood - Welcome To The Pleasuredome [Leo Zero & Timo Garcia Mix]
11. Maurica Galaktika - Dimensiones Imposibles [Pezzner Remix]
12. Mirko Loko - Love Harmonic [Carl Craig Remix]
13. Optional Feast - Zahyara
14. Bob Holroyd - African Drug [Four Tet Remix]
15. Corrugated Tunnel - Transist [Chymera Mix]

Dave Clarke
01. Wilko - Work Ya Body (Darren Rice Remix)
02. The Nighttripper - Tone Explotation (Ben Sims Remix)
03. Spark Taberner - Huisbaas
04. Fast Eddie - Clap Your Hands (Alanis Edit)
05. Orlando Voorn - Wiggle
06. Tim Wolff - Angular
07. Mr. Jones - Armory
08. Bobmo - Hardbells (Strip Steve & Das Glow Remix)
09. Umek - Lanicor (Christian Smith Remix)
10. Kris Menace & Dj Pierre - Alpha Omega 2012 Feat Dj Phuture
11. Stephan Bodzin Vs Marc Romboy - Puck (Chris Liebing Remix)
12. Joseph Mcgeechan - Identity (Mike Humphries Remake)
13. Bas Mooy - Krull
14. Depeche Mode - Dream On Dc Rmx
15. Spark Taberner - Slave
16. Adam Jay - 54 Hurtz
17. Dave The Drummer - Phantom Power (Mike Humphries Remix)
18. Mike Humphries - Tactical Recon (Spark Taberner Remix)


Links:
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Biography of Dave Clake:

Forget The Sex Pistols. The bands that came before and after – Bauhaus, The Ruts, The Damned and UK Subs – made timeless music. It came from the heart." Dave Clarke

Techno pioneer Dave Clarke has always mined the edges of the mainstream for his explorations into speaker-bustin’ dance music. The one-time hip hop and soul DJ spun hip hop deep into the mix of his 1996 debut Archive One, but on his second album Devils Advocate, he’s digging even deeper.

"The heart and soul of my record, and the heart and soul of all the music I’ve ever loved is darkness and attitude," he says. Hence the flinty hip hop, filthy electro and bass-heavy post-punk that is wound around techno and house throughout the new record – released on Brighton’s Skint Records. "I was about nine years old when The Ruts and The Damned were about and I got the records. They’re still references for me now. ‘Machine Gun Etiquette’ by The Damned is still one of my favorite albums of all time. And I loved the way Bauhaus was gothy cool, not over-goth. I was very into that."

The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"

His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle:  White Noise 
Rls date: 16-10-2011
Genre: Techno
Source: WEB
Type: Set
Avg. Bitrate 224 kb/sec
Size 185 MB

Tracklist:


In Search...


Download: Dave Clarke-White Noise-CABLE-16-10-2011

Something about Dave Clarke:

The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"

His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

Fuse, Brussels, BE 16 September 2005 / Dave Clarke Birthday Party Weekend (two nights at the Fuse with Dave Clarke and friends)


Artist: Dave Clarke
Tittle: @ Fuse - Brussel - Belgium
Rls date: 16-09-2005
Genre: Techno
Source: WEB
Type: SET


Tracklist:


Danny Elfman - Dead Presidents Theme (Capital Records -CDP 7243 8 32438 2 2)
Le Dust Sucker - Love Me (Plong! - Plong! 09)
Anthony Rother - Untitled (CDr)
Nine Inch Nails - Only (Nothing Records - 0602498814390)
Sebastian - Dolami (Ed Banger Records - ED006)
Colder - To The Music (Output - OPR 84)
Night Moves - Transdance (U.K. Disco Mix) (GC Recordings - GCT2)
The Neon Judgement - Fashion Party (Play It Again Sam Records - BIAS 70)
Tiefschwarz - Original (Fine. - FOR 3051 1)
The Hacker - Radiation (David Carretta Remix) (Different - DIFF 1046T)
Miss Kittin - Soundtrack Of Now (NovaMute - NoMu 120 LP)
Kraftwerk - Metal On Metal (Capitol Records - SP 1034)
Alden Tyrell - Disco Lunar Module (Clone - C37)
Imatran Voima - Techno Slut (Tellektro - PLATE004)
Terence Fixmer - I Swear (International Deejay Gigolo Records - GIGOLO 179)
Exotica - Sentence (Step Color Remix) (Fiat Lux - FL 032)
Anne Clark - Sleeper In Metropolis (Ink Records – INK 1213)
Richard Brown - Superman (Music Man Records - MM 100)

DOWNLOAD

Dave Clarke - Fuse 16-09-2005 by Dave Clarke DJ Sets

Something about Cari Lekebusch:

After close to two decades in this highly competitive industry, his success is hardly ephemeral. He has been invited to perform regularly at many of the highest profile techno clubs and events around the globe, including Awakenings, Fuse, Tresor, Fabric, Berghain, Omen, E-Werk, Avalon, U60311, The End, Cocoon at Amnesia, Fabrik, Rex Club, Liquid Room, F135, Sona, Twilo, Rohstofflager, plus well-known festivals such as I Love Techno, Time Warp, May Day, Awakenings and Nature One.

An impressive repertoire of releases to date have materialized from his HP HQ studio and permeated into the crates of the global electronic music community. Cari’s work has also been featured on a myriad of labels in addition to his own reflecting an array of genres, including releases on Swedish imprints such as Drumcode, Code Red, Truesoul, Jericho and Corb, plus tracks on other prominent labels such as Novamute, Soma, Primevil, Masters of Disaster, Fine Audio Recording, Harthouse and Turbo to name a few. Various studio projects over the years ranging from techno to hip hop have also seen him collaborate with a number of producers including childhood compatriots Alexi Delano and Fredrik Almquist aka RND as well as others such as Jesper Dahlbäck, Robert Leiner, Damon Wild, Oliver Bondzio and Dan Zamani.

With a steady stream of releases and a perpetual global tour schedule, Cari shows no signs of hanging up the headphones any time soon; even at the height of his career he continues to hone his craft daily, previously citing: “I try to make music regularly and try to constantly figure out new things. I reckon it’s like science, you need to do it every day to continue evolving”. Much like his evolution as an artist, in more recent years he has also expanded his H-Prod company to include a graphic design venture with further plans on the horizon as his company and career continue to develop, potentially into the cinema and videogame realm. He has come a long way in his career from his humble beginnings many years ago and one can presume that Cari will work diligently to achieve his future plans with the quiet confidence he has exuded throughout his career.

Bob Dylan once said that a man is a success if he gets up in the morning and gets to bed at night, and in between he does what he wants to do. And by that measure Cari Lekebusch has undoubtedly triumphed.

Artist: Dave Clarke & Cari Lekebusch
Tittle: White Noise # 306  (3FM) 
Rls date: 09-10-2011
Genre: Techno
Source. WEB
Type: Set


Tracklist:


Part One

Niereich vs. Mike Ban & Dietmar Wohl - Obsessiv
DJ Link - DJ LINK
Dave Tarrida - Damage (Angel Alanis Remix)
Dj 3000 - On the edge of love (Ken ishii remix)
Chris Finke - Dance Of Death (DJ 3000 Remix)
Vegim - Benzonal Mr. Jones REMIX PR
Future Past - Game Theory
UHU - Energum
Unevenratio - 0×13
Daniela Haverbeck - Sex with the Beast
Paul Edge - Vibration
Inigo Kennedy - Revenge

Part Two

Sowing Paranoia - Replicante
Daniel Dexter - The Other Day
Gerd - Palm Leaves (Mr Fingers dub mix)

Set from Cari Lekebusch (Rockitt Festival 2011)

Links:

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