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Alexander Robotnick has had a long and colorful history, including scoring films in the eighties and joining a world music troupe in the nineties, but he’s most celebrated for his pioneering electro tracks such as ‘Problèmes D'Amour’ from 1983. “When I first made the track, I was Italian and I didn’t speak English. I was a really provincial man from Italy,” Robotnick told Jonty Skrufff in 2005. “So I was aware of the quality of the track but I didn’t believe it would get successful at all.” It did, becoming one of the cult classics of the genre.

In the eighties, he composed sound-tracks for theatre and video, ambient music for fashion shows and soundtracks for films. In 1987 he turned to world music, founding the band ‘Music for Meditation’ with Indian flute player Boliwar Miranda, and later ‘The Third Planet’, which fused traditional music from Kurdistan, Algeria and India with modern sounds.

Fast forward twenty years and a younger generation of musicians revived Italo and electro, playing tribute to Robotnick in their mixes, and the result was that in 2001, Robotnick had a change of heart, putting aside ambient and world music to return to electro. First out of the block was the artist album ‘Oh no…Robotnick’ and the mix compilation ‘The Disco Tech of...Alexander Robotnick’ [2005], the success of which encouraged Robotnick to embark upon a rather belated new career as a DJ/live act. But it wasn’t quite a return to the old school: After years of hating vinyl, Robotnick bought a laptop and got back into the club act with Ableton Live and a unique DJ act/live show that’s been popular at nights throughout Europe, America and Japan.

Artist:: Alexander Robotnick & Terry Toner
Tittle: Electronation (KinkFM)
Rls date: 24-09-2011
Source: WEB
Genre: Minimal Tech
Type: Set

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Biography of Rodriguez Jr.

Olivier Mateu’s wide-ranging inspirations and interests find their ultimate outlet as Rodriguez Jr., positioning him as mobilee’s new master of eclecticism.

As one half of French electro act The Youngsters – best known for their two studio albums and singles for Laurent Garnier’s F-Communications – Mateu has already received enough plaudits and praise to last a lifetime. The Youngsters’ award-winning productions catapulted them into the international arena, taking them to some of the biggest clubs and festivals around the world.

Rodriguez Jr. reveals a different incarnation of Mateu’s musical psyche, one that strides ahead, guided only by his kaleidoscopic vision; moving through shimmering, contemplative electronica, to deep and urgent techno, leftfield melodic accents and quirky pop refrains, Rodriguez Jr. is the by-product of an untamed brand of creativity and a thirst for the new and unexpected. Drawing inspiration from artists as diverse as Stockhausen, LFO, Carl Craig, Eric Satie, Kraftwerk, and Michael Polnareff, Rodriguez Jr.’s spirit of adventure translates as soaring creativity, and music that cannot be pigeonholed.

Mateu manifests Rodriguez Jr. in his MLab Mk5 studio, which brims with vintage synthesizers and dusty analog gear. Acclaimed Rodriguez Jr. releases for imprints such as Mothership, Boxer Records and Giant Wheels, prefaced the quirky melodies of his bass-driven house hit Princess Guacamole for mobilee records, and the tropical techno of Kids of Hula for it’s sister label Leena Music. Drawing both pleasure and inspiration from live performance, Rodriguez Jr. relishes the opportunity to realize his project on the stage, and has done extensively throughout Europe and America. This year it will also be fully realized in the studio, as he will release his debut album on mobilee in the Summer.

As he restlessly seeks out the ultimate intersection between all of his disparate influences, Mateu explains it best: “Good electronic music is not a jail,” he says, “It should be enjoyable everywhere, from dancefloors to living rooms, and by everybody.” Now an integral part of the mobilee family, Mateu will continue to channel his vision, passion, and love of music into all that he does, and all that will come.

Artist: Rodriguez Jr.
Tittle: Electronation (KinkFM)
Rls date: 17-09-2011
Source: WEB
Type: Set
Genre: Tech House

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Something about Martin Eyerer:

When Martin Eyerer tells a story, everybody listens. Martin reports of his journeys throughout the continents, telling stories of wild escapades in a taxi across the Brazilian jungle through to the impressions of Earth's capitals and the colourful array of citizens that inhabit them, and obviously of his many Gigs in these foreign lands. Those foreign places quickly become familiar territory when he sets up his digital DJ-system and starts to play that thumping first track because what he plays is groovy Electro-Tech House and the sound is a world language of its own that is euphorically absorbed through sweaty pores and pumping glands.

His passion is eminently clear when he starts to talk about his experiences and such is his passion and enthusiasm for the music that one could easily think it was all totally new to him. But it isn't. Martin Eyerer has been a DJ for 20 years - and just as many years a producer, label owner, radio show producer. Throw in his two young children and it seems that the energy never leaves his side.

Martin Eyerer is not a laptop artist, but a true musician. His high-end studio meets the highest requirements and has become an interdisciplinary interface for mastering (whether it is Hip Hop, Pop or Electronic) and he is also co-producing several mainstream acts (Eyerer e.g.became a gold record in UK). On top of all this, the Tech-House Posse around him like Gui Boratto,Oliver Koletzki, Toni Rios, Stephan Hinz, Namito, Chopstick, Oliver Klein or Robert Babicz come to his house to jam. It is a small circle of friends who share the same musical interest and who put 200% in to every release they do.

Whether collaborations, solo Works, Remixes or Compilations, all his works appear almost monthly on dance-floor dominating labels, like Kling KLong,Systematic,Audiomatique,

Great Stuff, Kickboxer and on English big names like Renaissance or i/o records. The most unbelievable aspect of this is the variety of styles Martin stands for. There is no segment from Deep house to minimal Techno that Eyerer is not in control of, always keeping his focus on the dance-floor. This consistently high-quality of output results in rocking world-wide floor-fillers, spun by the most well-known DJs. Beyond that, hits like Make My Day (Haunting) by Eyerer and Chopstick feat. Zdar/Cassius made their way into the A-rotation of English music television.

As an important platform for his music Martin Eyerer has founded his own labels - Kling Klong and Session Deluxe. Due to the conscientious release policy (releasing artists like Koletzki, Namito, Oliver Klein, Babicz and Eyerer himself the Label boss was able to establish an independent sound between electro, minimal and tech-house on Kling Klong and more tooly, housy and underground on Session Deluxe. Releases of both Labels always enter the top 20 of all sales and download charts for electronic music.

Artist: Martin Eyerer
Tittle: Electronation (KinkFM)
Rls date: 13-08-2011
Source: WEB
Genre: Minimal
Type: Set

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Matthias Meyer Biography:
Dj, Producer and Liebe*Detail key artist Matthias Meyer hails from the quiet town of Lueneberg, near Hamburg, Germany. As a young, excited music lover, the hi-tech sounds of Detroit and Chicago spoke to Matthias, and encouraged him to seek the excitement and hustle of nearby Hamburg's diverse club scene. From here he let music take control, actively promoting this newfound scene in his local towns with the Sfunkt DJ collective, organising parties that would bring the electronic message to an otherwise dance-less area.

Together with the Sfunkt crew and his close friend and future production partner Patlac, Matthias began to play bigger and better venues, to more and more acclaim. His horizons began to broaden, and his production skills sharpened, seeing the release of his debut track, 'Reichenbach', on Hamburg's much-loved Liebe*Detail label in 2006. A tough and powerful, big-room bomb, Reichenbach summed up the Meyer's broad mixture of influences, from Detroit's technical wizardry to the musicality and experimentation of Germany's fresh faced electronic movement.

'Voltage', his second release was to follow with yet more hit potential, carrying a beautiful, resonating melody across a positively uplifting techno backdrop, but it was his release in the summer of 2008, 'Tout Va Bien,' that really defined Matthias Meyer's current musical direction. A long, meandering, deeply spaced percussive journey, full of intricate detail and raw, organic textures, the track received huge support and quickly brought the young musician's name even more into the light.

As the winter months of 2008 approached, and the buzz from 'Tout Va Bien' still worked its magic, Matthias collaborated with long-time friend and producer Patlac, creating another huge club moment entitled 'Skipper'. This was released on Liebe*Detail's 'Spezial' offshoot label, along with the equally moving track 'Salt City', to yet more praise. It seems these two projects really summed up Matthias' inner love not only for serious grooves, but real drama in his music. These are tracks full of uplifting, positive sentiments, painstakingly designed so that their sound and message comes through as clear as possible.

Matthias has broken through into spotlight thanks to his uniquely passionate take on the house and techno genres. His love of rich, energetic club music full of texture, life and heart propels him to work more and more. His work as a Dj allows him to bring this very human, endearing quality to an increasingly large audience.

In his eyes, the great joy of Djing house music is that, unlike in so many other scenes, he doesnt need to play pop hits to get dancefloor recognition. Instead, he can spin a long tale of rolling grooves and evolving, emotive musical stories that provoke a different, inner relationship between DJ and dancer.

As requests for original tracks and remixes flood in, Matthias remains grounded. For him the groove is the most important thing. He doesn't rush his music, rather he spends as much time as is needed perfecting his art. For this reason he will remain a very special commodity, a true artist and true creator, so that when his music is experienced it will never fail to pass you by.

Artist: Matthias Meyer
Tittle: Electronation (KinkFM)
Genre: Techno
Rls date: 02-07-2011
Source: WEB
Type: Set

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