Something about Dave Clarke:

When his parents split, he ran away from home, sleeping rough in car-parks before a friend offered him floor-space. The only thing that kept him going was music. From soul to the Psychedelic Furs, from Devo to the nascent Chicago house sound, Clarke devoured it all voraciously and blagged himself a DJ slot in Brighton. Soon such gigs provided Clarke with a meagre living, then in 1994 his reputation was sealed by a series of EPs known collectively as ‘Red’. The debut album ‘Archive 1’ followed, flecked with hints of breakbeat and electronica, a novelty in the puritanical techno scene of the time.

His mix CDs included the two best-selling ‘World Service’ outings (one of which made it into the top ten of best mix compilations of the 00's in Resident Advisor) which showcased his dual love for electro and techno, and he briefly signed to Skint Records, resulting in 2004’s ‘Devils Advocate’ album, a long-player jammed with dark techno energy but laced with hip hop beats. When his production pace ebbed Music Man Records gathered together ‘Remixes And Rareties’ in 2007, making Album Of The Month in Mixmag and receiving critical plaudits all over. There is, however, no denying things eventually went quiet on the production front.

Clarke greets this with a dramatic pause. “If I’d stepped into a studio then I could have done what I’d already done but I didn’t want to do that, I want to do something I haven’t done.” He pauses again before going on. “I think it’ll happen,” he allows, “I’m not going to leave it forever...”

In the meantime he has plenty else on. Moving finally from rural sedate Sussex to Amsterdam revitalized him.

“I felt quite excluded when I lived in the countryside,” he admits, “whereas my home in Amsterdam is a fifteen minute walk from most venues so I’ve seen Patti Smith, Queens Of The Stone Age, The Horrors, Holy Fuck!. There’s no excuse not to go so that’s very inspiring.”

He’s also built up his White Noise radio show on the Dutch station 3FM (also archived at the award-winning http://3voor12.vpro.nl), interviewing artists ranging from John Foxx to Coldcut to Broken Social Scene but the thrust of the show is still to cast light on exciting new music.

“The most important point is to air music that other stations and DJs don’t have the power to,” he says, “music that wouldn’t normally be given a chance. I can just go where I want with it although it’s still 99% techno and electro.”

The same applies to his White Noise label. Emphatically not a vanity project for his own releases, it has instead hosted boutique vinyl pressings (alongside the usual digital fare) for gleaming new material by artists such as Frank Kusserov, Noirdegout, Woody McBride, Marco Bernadi, Terence Fixmer and The Hacker. These and other tunes will be chopped, hammered, filleted and turned on their heads during Clarke’s DJ sets. That’s where he comes alive, where skills honed for years blow venues apart. A 2009 highlight, for instance, was the fifteenth birthday party of FUSE, the Brussels club where his standing is second-to-none, where he’s developed an extraordinary relationship with the crowd. He speaks of it with his breath catching, as thrilled as ever by the ride the music takes him on.

Artist: Dave Clarke

Tittle: White Noise
Rls date: 10.02.2013
Genre: Techno
Source: WEB
Type: Set

Tracklist:
Chance McDermott - Do Not Conform (Original Mix)
Ben Sims - The Little Jam
RRKS and Komabase - Hard Business
Armando Martins - Piupiu (Jeroen Search Remix)
Joton - Off Duty
Petar Dundov & Gregor Tresher - In The Woods
Ken Ishii - The Buddahs Ear (Original Mix Bass 2)
Stormfield - Rebuild (DEFEKT Remix)
Dj Surgeles - Electrologist
Pip Williams - Pleasure Deficiency Syndrome
Romplex - Elevate The Soul
Versalife - Normal behavior
The Exaltics - Second Phases

Listen & Download:

Something about Dave Clarke:

Techno pioneer Dave Clarke has always mined the edges of the mainstream for his explorations into speaker-bustin’ dance music. The one-time hip hop and soul DJ spun hip hop deep into the mix of his 1996 debut Archive One, but on his second album Devils Advocate, he’s digging even deeper.

"The heart and soul of my record, and the heart and soul of all the music I’ve ever loved is darkness and attitude," he says. Hence the flinty hip hop, filthy electro and bass-heavy post-punk that is wound around techno and house throughout the new record – released on Brighton’s Skint Records. "I was about nine years old when The Ruts and The Damned were about and I got the records. They’re still references for me now. ‘Machine Gun Etiquette’ by The Damned is still one of my favorite albums of all time. And I loved the way Bauhaus was gothy cool, not over-goth. I was very into that."

The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"

His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke & Tim Baker 
Tittle: White Noise 321 
Rls date: 12-02-2012
Genre: Techno
Source: WEB
Type: Set


Tracklist

Part One

1/2 of Rodney - I'll never suck the corporate cock
Trust the Machine - Pretty Basic
David Meiser - Waves of Pressure [mental remake]
Paul Mac - Retold For The Masses
Ben Sims - Slow Motion
Dj 3000 - Mariner (dub)
Dimi Angélis & Jeroen Search - Monopole
Ross Alexander - Sculpted Moments
Spark Taberner - You know why (320)
Tachini - MEESTERes 1
Gayle San - Anger Within
Defekt - Destroy Your Planet

Part Two

Mr. Jones - The Chronicals of never premaster
Lee Holman - Kawl 3.2 (Roman Lindau Remix)
Marc Romboy Vs Rodriguez Jr - Picnic Electronique Deetron Remix [Master]

Exclusive Mix from Tim Baker

Links:

http://uploaded.to/file/ah3qjdfj
http://depositfiles.com/files/9504azyt3
http://www.share-online.biz/dl/OWYZT9ZLB8Q2
http://turbobit.net/5mx15e0wf2yy.html
http://filefactory.com/file/c2733da/...02-12-2012.rar

Recorded Live @ Downsview Park Studio 3 (Toronto,Canada) - 11-11-2011

Something about Carl Cox:

I can't remember a time without the strains of soul music drifting through our house. With both parents coming from Barbados I was brought up very much in tune with a natural party ethos that went hand in hand with a love of good music. My earliest musical memories are of Booker T and the MGs, Aretha Franklin and, of course the great Elvis, and I used to hijack my parents collection of 70's soul 45's and get the whole family grooving round the lounge! I guess the early signs were there - my passion for music combined with an over-whelming desire to entertain as many people as possible.

By 10 I had well and truly caught the bug and was spending every bit of my pocket money on soul and funk records. I got my first pair of decks (just the 2!) by the age of 15 and I started to play as many parties as I could, discovering that I could buzz off a crowd whilst funding my habit at the same time. As the 70's became the 80's I followed the musical trend from soul to disco to hip-hop but it wasn't really until I moved to Brighton in 1986 that I discovered, along with so many others, the pure thrill of acid house.

The 'Summer Of Love' was special for me in more ways than one. It was at the Sunrise rave on the outskirts of London in 1988 that I had had my biggest breakthrough yet. I was already something of a regular on the infamous M1/Orbital rave circuit but it was at Sunrise that I had the idea to hook up a third deck. At 10.30am on a hazy Sunday morning I managed to tempt 15,000 partied out ravers back onto their weary feet and kick the party back into action - it was an amazing experience- and since then my phone has not stopped ringing with offers for 'The 3 Deck Wizard'. I was fortunate enough to participate in many of the events that have gone down in history as defining moments in the history of UK club culture, such as playing the opening night at Rampling's legendary Shoom, running The Project with Oakie as well as holding a residency at Brighton's ZAP club. 

With my reputation as a DJ well and truly secured I was able to turn my attentions towards producing. Initially signing to Perfecto I had my first hit in 1992 with 'I Want You' and, believe me, no one was more surprised than me when I found myself performing on Top Of The Pops when my record peaked at number 23 in the UK charts!! 

Despite the fact that the follow up 'Does It Feel Good To You' also charted in the top 40, commercial success was never what I had been aiming for, it was all somewhat too far removed from the reality and buzz of setting a dance floor alight. Whilst fellow spinners such as Grooverider and Fabio moved from raves into Jungle, choosing to focus on a very UK and London orientated sound, I couldn't escape the American and European influences that had always been there whilst I was growing up. I have always been very globally minded which comes across in my choice of music, which I use to cross physical and cultural boundaries to bring people together. Essentially my heart lies with house and techno and it was for this reason that I chose to take a back seat from my impending career as a pop star and be true to myself by going underground and re-discovering my roots.

Artist: Carl Cox 
Tittle: Global Episode 465 (DI.FM) 
Rls date: 10-02-2012
Genre: Techno
Source: WEB
Type: Set


Tracklist:


In Search...


Links:
http://uploaded.to/file/k2pydh32
http://www.share-online.biz/dl/EO0B47ZLB0I
http://depositfiles.com/files/n6rlavhwb
http://turbobit.net/l6g43a92zpmx.html

Flyer:

Something about Dave Clarke:

Will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle: White Noise 317 
Rls date: 15-01-2012
Genre: Techno
Source: WEB
Type: Set


Tracklist:


In Search...


Links:
Dave_Clarke_-_White_Noise_3…rar (134,32 MB) - uploaded.to
Download Dave_Clarke_-_White_Noise_317_(3FM)-SBD-0 1-15-2012.rar for free o
http://depositfiles.com/files/l5dh0qo0m
Free File Hosting, Online Storage &amp File Upload with FileServe

Something about Radionasty:

Keith Tenniswood (aka Radioactive Man and one half of Two Lone Swordsmen alongside Andrew Weatherall) has been privy to some of the most twisted machine funk to emanate from the UK in the last decade, and has hooked up with production partner Billy Nasty for the project Radionasty. Billy has taken techno to the world via his DJ sets and Tortured label. 

Radioactive Man (aka Keith Tenniswood) began his musical career, aged nine, when his father thrust a guitar in his hand. Destiny also took charge when he met up with Jagz Kooner and Andrew Weatherall - The Sabres Of Paradise - at night-clubs like 'The Drum Club', 'Full Circle' and 'Sabresonic' and began working with Weatherall manipulating the front of house sound on the Sabres 

tour. Having been an integral part in the Weatherall studio set up, it seemed a natural step that upon the demise of Sabres, Weatherall and Tenniswood should arise from the debris and form their own production team, the Two Lone Swordsmen. In 1996 they released their first album together as the Swordsmen, entitled 'The Fifth Mission-Return To The Flightpath Estate' on Weatherall’s own Emissions imprint. They have since recorded for Warp Records and Rotters Golf Club. 

Outside of the Two Lone Swordsmen, Tenniswood leant his talents to David Holmes’ 'Lets Get Killed' album and has also worked with The Aloof, Primal Scream and Red Snapper. He released his debut album also titled “Radioactive Man” on Rotters Golf Club, in September 2001. The album received many plaudits (amongst them, “One of the UK’s most underrated DJ/producers”) and established him as a producer in his own right, disassociating him from the 2 Lone Swordsman moniker. He has since released the album ‘Booby Trap’ and today he can be found DJing in the UK and overseas most weekends, and still finds the time to work on his own label Control Tower which he set-up with Simon Brown, aka The Dexorcist. 

20 years is a long time in electronic music, but that’s how long British techno DJ Billy Nasty has been at the forefront of the game. From early beginnings in London’s acid house scene to the huge global following he enjoys today, Billy’s continual hunger for new music, combined with his extensive experience, has made him one of the scene’s most enduring and in-demand figures. And with a current residency at BLOC festival plus a string of new releases coming up, Billy shows no signs of slowing down soon. 

Emerging from a background playing rare groove and funk, Billy’s first forays into house appeared during his residency at London’s The Brain Club, alongside Lost founder Steve Bicknell. Meanwhile, he manned the tills at Zoom, one of the capital’s most important record shops, soaking up everything from American house and techno to the emerging strains of British progressive and early European trance. Quickly making an impact, he was asked to contribute the first volume of the seminal ‘Journeys By DJs’ series – gaining him entry into the Guinness book of records for being the first DJ to produce a commercially available mix. 

As the dance scene of the early 90s splintered into numerous subgenres, Billy’s profile sky-rocketed, resulting in regular slots at famed London clubs Final Frontier, Open All Hours, The Drum Club and Strutt. Collaborating with a handful of likeminded friends, Billy’s studio work started to reach the public’s ears, and by 1995, he was jetting across the globe every weekend, spinning at many of the most famous clubs and festivals in dance music history. 

Around this time, he formed his own agency, Theremin, and was responsible in no small part for introducing the wider world to the talents of now-huge European DJs such as Adam Beyer, Marco Carola and Joel Mull. Meanwhile, his first label, Tortured, showed the development of his style into a harder, purer form of techno, and quickly became one of the genre’s most influential and prominent imprints. This was followed in 2001 by Electrix, where Billy released more experimental techno and electro from artists including Umek, The Advent and Carl Finlow. Again, this quickly became one of the leading labels in its field, and remained so until its closure in 2006. 

Having decided to wind down his labels to concentrate on DJing and studio work, Billy has spent most of the 21st century doing the same as he always has – sourcing out the freshest, most innovative, dancefloor sounds to spin. Incorporating the recent trends towards minimalism, along with dubstep, electro and classically-styled techno into his seamlessly-mixed style, Billy is a regular guest at Fabric, and holds a residency for the UK’s hugely acclaimed electronic music festival, BLOC, whilst continuing to travel the globe for gigs each and every weekend. 

As electronic music continues to splinter and evolve deep into the future, one thing is certain – Billy and Keith will be right there in the thick of it, doing what they do best. They kicked off the proceedings at the beginning of this year with the release of Radio 3 on the well received EPM 10 Compilation closely followed by a formidable DJ debut at the promotions company and label’s revered Off-Sonar Party. Later this year two more tracks, Radio 1 and 2, are set to be released on fabric’s musical directer and long time  resident Craig Richard’s label TYRANT giving the pair the vinyl platform that these tracks deserve.

Artist: Dave Clarke & Radionasty 
Tittle: White Noise 313 
Rls date: 04-12-2011
Genre: Techno
Source WEB
Type: set


Tracklist:


In Search...


Links:
Dave_Clarke_-_White_Noise_3…rar (191,83 MB) - uploaded.to
http://depositfiles.com/files/d6jq02egz
Download Dave_Clarke_-_White_Noise_313_(Guestmix_Radionasty)-SAT-12-04-2011.rar for free on Filesonic.com
Free File Hosting, Online Storage &amp File Upload with FileServe

Something about Luigi Madonna:

Luigi Madonna was born in 1985 and yet in 1996 starts his passion for the world of house music . Therefore two turntables, a mixer, headphones, first house records and a huge passion lead him to play in first clubs still very young . It's actually 1999 when he gets started at Impero II club . After just two years , 2001,electronic sounds influences lead Luigi Madonna to experiment new sounds . Innovation and experimentation provide him with a pass to many of the Campania's clubs booths obtaining a good success . 2004 is the year of musical turning point, infact Luigi moves his own first steps with musical productions , goal: minimal techno. The field is wide and the musical interest is oriented towards every kind of sound . Old river park represents for Luigi Madonna the official debut in one of the "sacred places" of techno music. There he manges to enrich his experience by playing with Joseph Capriati, Par Grindvik, Dominik Eulberg, Argy, Ben Sims and many others . In 2008 his first release , "Submarine", signed by Structure records, followed by important collaborations with "Simplex records", "Overdrive music" and others. The most meaningful project arrives in 2009 on the famous Rino Cerrone's record label, "Loose records", "Madonna e.p.".is released , actually showing a dynamic passion towards music and a endless research for new sounds , Luigi Madonna is carrying on a collaboration project with the labels of Markantonio "Analytic Trail" , "MKT" and soon... Mihalis Safras "Material"......

Artist: Dave Clarke 
Tittle: White Noise 310 (Guestmix Luigi Madonna) 
Rls date: 13.11.2011
Genre: Techno
Source: WEB
Type: Set


Tracklist:
Part One

Elbodrop - Annonymous
Virgil Enzinger & Submerge - Black Blade (Mike Humphries Remix)
Mr. Jones - Armory (Ben Sims Remix)
Mike Maass & Frank Sonic - Gomez (Adam Jay Remix)
Trust the Machine - Cat Spleen
Sunil Sharpe - Healing Hatred
Kereni - Panic Disorder (UrbanoRawRemix)
Caretta and WorkerPoor - Crash 3
GabeeN & Tosi feat. Gracie - Machine City (Darknet)
Mike Turrento - Smiling Noise
Simplicity is Beauty - agitator 257
The 15 dead Minutes - Red snow
Clatterbox - Data Stream
Mad Scientist - Interstellar Time Travel Theme (Mr. Velcro Fastener Time Shift Remix)

Part Two

Defekt - Incept
Orlando B - Back to Basics
Matt Whitehead - City Limits

DJ set from Luigi Madonna

Links:
Dave_Clarke_-_White_Noise_3…rar (182,47 MB) - uploaded.to
http://depositfiles.com/files/60jag7ffj
Download Dave_Clarke_-_White_Noise_310_(Guestmix_Luigi_Madonna)-CABLE-11-13-2011-TALiON.rar for free on Filesonic.com
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Get Dave_Clarke_-_White_Noise_310_(Guestmix_Luigi_Madonna)-CABLE-11-13-2011-TALiON.rar on Wupload.com

Something about Dave Clarke:

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle: White Noise 309 (Guestmix DJ3000) 
Rls date: 06-11-2011
Genre: Techno
Source. WEB
Type: Set


Tracklist:


In Search...


Links:
http://ul.to/o8fvrysn
http://depositfiles.com/files/su3hpudsz
http://www.fileserve.com/file/SFEzQzt

Something about Mr Jones:

Paul Jones AKA Mr Jones:

Paul created Disclosure Project Recordings, and co-runs it with fellow director JP Phillippe.

Paul has work on labels such as Exquisite Music, Vivid Trax, Night Drive Music, Elevation, Body Rhythm, Deepology, Low Flow, 2600, Escada, Plastic City, Pesto, Acryl and has licensed tunes to Journeys by dj and EMI and much more

He has also recently been involved with remixes of Blaze - Lovely dae, Burnski - The flight remixes ep, Cloudsteppers - Make me shine and a whole load of others for some different artists and labels. All the current releases and remixes are readily available on beatport etc...

Current works are underway via his own label with CBass & Mikobene, Daniel Kyo, Soul Minority, Da funk, Ross Couch and a tonne of other well known and musically respected artists.

Alongside producing Mr Jones has been busy dj'ing in his home area at places like The Arena, The cornerhouse & held a long term residency at The Empire [Sugar Shack] Middlesbrough. Travelling farther south Mr Jones paid a visit to Petes 50th in London, as well as stints abroad in Ibiza at The orange corner, Poland at Cien club, and Dubai at 360. 

Not forgetting the various radio shows he has been on like Proton radio, Frisky radio, amdjs and a few others.

Pauls production partnerships are, "The Disclosure Project" and "JP & Jones".

Artist: Dave Clarke  
Tittle: White Noise 308 (Guestmix Mr Jones) (3FM)
Rls date: 30-10-2011
Source. WEB
Type: Set
Genre: Techno


Tracklist:


Part One

Marco Bernardi - Morbider
Digitizer - Machine Slave
Detroit Grand Pubahs - Club Sandwiches (Marc Romboy’s Systematic Soul Remix)
Jesper Dahlback - Space of Day (Alexi Delano Remix)
Submerge - Destroyer Of Worlds (Gary Beck Floom Remix) mastered
Go Hiyama - Harbinger
Untold - Little Things Like That
Future-Past - An Act Of Modulation
Ryogo Yamamori & Komabase - Bell
Tomohiko Sagae - Deburring Judgement Call (Makaton Mix)
Unevenratio - 0×13
Inigo Kennedy - Revenge

Part Two

UHU - Aqatezaya
Clatterbox - Data Stream
The Exaltics - The Hunch (Annihilate the Planet Mix)
Dave Clarke - Wisdom to the Wise (Aux 88 Remix)
Pip Williams - Computer Talk
Mad Scientist - Interstellar Time Travel Theme (Mr. Velcro Fastener Time Shift Remix)
UHU - Humans act like robots

DJ set From Mr.Jones

Links:

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Biography of Dave Clake:

Forget The Sex Pistols. The bands that came before and after – Bauhaus, The Ruts, The Damned and UK Subs – made timeless music. It came from the heart." Dave Clarke

Techno pioneer Dave Clarke has always mined the edges of the mainstream for his explorations into speaker-bustin’ dance music. The one-time hip hop and soul DJ spun hip hop deep into the mix of his 1996 debut Archive One, but on his second album Devils Advocate, he’s digging even deeper.

"The heart and soul of my record, and the heart and soul of all the music I’ve ever loved is darkness and attitude," he says. Hence the flinty hip hop, filthy electro and bass-heavy post-punk that is wound around techno and house throughout the new record – released on Brighton’s Skint Records. "I was about nine years old when The Ruts and The Damned were about and I got the records. They’re still references for me now. ‘Machine Gun Etiquette’ by The Damned is still one of my favorite albums of all time. And I loved the way Bauhaus was gothy cool, not over-goth. I was very into that."

The ‘gothy cool’ of Bauhaus’s ‘She’s In Parties’ has been resurrected on a stand-out album track with some vocal assistance from Berlin’s favorite daughters, Chicks On Speed. "It’s a new song, written around the hook ‘she’s in parties’" says Dave. "And we had a great time recording it." Clarke first met the Chicks seven years ago at the infamous Ultraschall club. "I was pretending to be the doorman, people’d be coming up to me saying (mock German accent) "Ven is Dave Clarke on?" We had a few drunken nights out with DJ Hell and Upstart, drinking Cognac and bourbon, going to 80’s soul clubs and playing chess. It sounds terribly communistic, doesn’t it?"

His connection with the art-edge of electro doesn’t stop there. In 2001, Clarke released the World Service compilation, featuring a still unbeaten new-school electro tracklisting. Hacker, Fischerspooner and Adult. were all present and correct, some time before Trendy London caught on. "There were loads of compilations that came out, six, twelve, even eighteen months later, all with a very similar tracklisting. It pissed me off. At that time, there was so much exciting music coming out and it wasn’t being serviced by DJs or radio or the press." Obviously, the record-buying public agreed and they sold 70,000 copies.

So will we be seeing Dave Clarke behind the decks at art-fashion electro clubs like Nag Nag Nag soon? "I’ve got nothing to do with that scene," says Clarke. "I find it really funny that I was one of the first DJs to bring attention to this music and I’ve never been asked to play in those clubs. I prefer League of Gentlemen clubs anyway, local clubs for local people." Although he will be taking the heavy sounds of Devil’s Advocate live, debuting his set at Creamfields. "It’ll be me doing my thing, but in a punky live way.

Devil’s Advocate is an adrenalised album, cherry-picking the best of the last three decades and hammering it into a record laden with funk, groove and attitude. Take highlight ‘Dirtbox’ a totally rude boy, death-disco moment with a narcotic bassline to knock your socks off. He’s also pulled Chicago house lynchpin DJ Rush into the record, on the jack-track blastin‘ opener ‘Way Of Life’. It’s a tune that Clarke has road tested over the last twelve months, at clubs worldwide, from Portugal to Sao Paulo.

"It’s a statement of intent," he says. "I’d got so fucked off with people ripping of my Red (Clarke’s Red 1, 2 and 3 provided three of dance musics most recognisable anthems) stabs that I thought I’d rip myself off one last time. Rush came over, gave me two hours of vocals which I cut and pasted into a single song." He also corralled politicized Indie hip hop head Mr Lif onto the record. "I saw him at the ICA and thought he was great. He comes from the heart." Lif’s track, a screeching, slo-motion story of death and resurrection titled ‘Blue On Blue’ highlight’s Clarke’s hip hop roots and moves the record further away from the house and techno that Dave Clarke is best known for. "That’s another reason I called it Devil’s Advocate" explains Clarke. "The music will challenge people’s preconceptions about me. If you’re unaware of my first album or my remixes then you might think that my whole life revolves around techno. It doesn’t."

Clarke is indeed a man of many sounds but he’s undeniably an international techno ambassador of the highest degree. He’s been criss-crossing the globe every weekend for the last fifteen years playing the best in funky electronic music. "Funny enough I’ve shied away from electro in my sets at the moment," he says. "There just aren’t the records right now. I still play a lot of ghetto booty electro though. I like it. It’s filthy, it’s got a charm and it’s got the funk."

Having the funk matters. Whether it’s funk shaped like a jacking Chicago house party, or funk shaped like a post-punk b-line (Clarke’s favorite new band, incidentally, are Radio Four) it’s here. There’s even a reggae track, hidden away at the end, which was inspired by a fortuitous meeting in London’s equipment mecca, Funky Junk. "I was talking to the guy behind the counter, saying that the only reggae I could relate to was Mad Professor because it’s so precise but really laid-back. He was like ‘Have you met him? He’s standing right behind you.’

But what about the cliched version of Dave Clarke, the opinionated, cigar-chomping gourmet speeding around in fast cars? He’s still there, in the background, and, currently driving a double-glazed Mercedes S500, "for hacking up and down on motorways" which makes PJ Harvey’s Stories From The City, Stories From The Sea sound "amazing" plus a brightly colored Honda NSX. "I do smoke cigars, I do like fast cars and I do wear black, but there’s more to me than that." You want to see past the cartoon? Just take one listen to Devils Advocate and it’ll all become crystal.

Artist: Dave Clarke 
Tittle:  White Noise 
Rls date: 16-10-2011
Genre: Techno
Source: WEB
Type: Set
Avg. Bitrate 224 kb/sec
Size 185 MB

Tracklist:


In Search...


Download: Dave Clarke-White Noise-CABLE-16-10-2011

Bas Mooy Biography:

During the last decade Rotterdam home-based dj/producer Bas Mooy (1976) has been active on many fronts in the techno scene. Heavily influenced by a city that breaths industrial strength twenty-four-seven, he gradually found his way into creating an unique dark sound, which lead him to the forefront of the European techno scene. In an industry where following trends seems to be the core business these days, he gained a lot of respect for staying true to his own sound. 

In 2002 he kickstarted the already legendary Audio Assault recordlabel with label partner Jeroen Liebregts, which resulted in the birth of sublabel Arms one year later. Since then the Audio Assault family built a strong and constantly growing fan-base worldwide, showcasing an impressive catalogue with a constant output of stand out twelve inches, setting the standard for today’s quality dark techno. For many years he has been a member of the Rotterdam underground collective ‘Strictly Techno’, creators of over a hundred legendary parties since 1995. Bas has played at many ‘top of the bill’ clubs and festivals around the globe and is a regular guest at the highly respected Awakenings parties in Holland. Over the years Bas has been a hard working and devoted producer, spending many hours in the studio and putting out music on respected labels such as Planet Rhythm, Roots, Fine Audio Recordings, Naked Lunch, Impact Mechanics, Submissions, Patterns, FK Recordings and of course his own imprints Audio Assault and Arms. His recent releases on Planet Rhythm and Audio Assault got big support from the industry's main players such as Speedy J, Dave Clarke, Luke Slater, Oscar Mulero and Cari Lekebusch. With a new mix cd coming up in January and upcoming releases on several well known labels, he shows no sign of slowing down.


Artist: Dave Clarke
Tittle: White Noise (Guestmix Bas Mooy)
Rls date: 07-10-2011
Genre: Techno
Source: Web
Type: Set

Tracklist:

Part One

Acid Junkies - Acid Junkies - Zurig
Diablo - Fresh (Ritzi Lee Remix)
Paul Edge - 16pounds
Heliopause - Destination Planet Earth
Code Rising - Steppin Back
Clatterbox - Coolicon
The Hidden Persuader - System Saboteur - Pip Williams RMX
Exzakt - Deconstructed Megamix (Evo Remix)
BS-1 - Hunt Kill Devour
Scape One - Substorm (Sync 24 Remix)
Bruno Binary - End Of Broadcast
Pip Williams - Militant
Defekt - Dimension

Part Two

Kimode - Better this way
Edgar 9000 - End of Summer

Set From Bas Mooy

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Space Djz Biography:

Ever since the pair's formation in the early 1900's their unerring ability to fuse raucous techno with their life long love of Hip Hop, has set them aside from there peers. In the present day, an abundance of UK techno producer's have emerged, none would deny The Space Djz are true innovators. In 1995 the duo released their debut Ep Space DJz on the legendary and now defunked Infonet imprint, quickly followed up by an outing on the Belgium label Reload These two projects put them on the techno map but the real turning point arrived in early 1996 on Infonet with the release of the ..Return to earth', Ep, containing the techno anthems ..Side on', and ..Rock the house'.Both trakz would blow up to be huge and be re-released via Frankfurt based Ongaku .The combined output of both releases was over 10,000 copies and along side Dave Clarks Red 1 these were two of the biggest tunez of the year and are still much sought after and played to this day. The Djz became prize catches for major playerz Nova Mute and Soma contributing several more classic releases, culminating in 1999's critically acclaimed album ..On Patrol`. The album expressed Ben and Jamie's roots perfectly, combining their now infamous hip hop influences with their unique brand of analog techno and chaotic electronic soundscapes.

Later that year The Space Djz delivered a trak that was to become one of their biggest hitz to date AK 47 a trak that had originally been heard on a Nova Mute Compilaton was reworked and served to capture the period's riotus spirit of techno. Listening to that record, one would imagine was like being attacked with a chainsaw buy an electronic chicken, simply brutal. It was released as a double pack on Ben Long's highly regarded Potential Recordingz and featured remixes by many of techno's biggest namez including Umek, The Advent, Gaetano Parisio, Oliver Ho, Inigo Kennedy, Chris McCormack.

During 2001 Ben and Jamie also able to concentrate on their solo projects working with labels such as Consumer Recreation, CLR, Primate, PrimeEvil, Tortured, Advanced, Eukatech, Speilzeug, and the running of their own labelz Potential Recordingz, Ergonomix, ReRub , 50hz, Ground, Foundation and Target. Jamie also released a Bandulu album Redemption with Music Man. 2002 saw the welcome return of The Space Djz on Blly Nasty's Tortured imprint with the Faces of Pain double pack, their first release together in almost two years, and a double mix Cd was released on Primal Rythms entitled The Last Djz on Earth.They were back and they were better then ever.

During this time, and indeed long before, The Space Djz have been renowned the world over for their breathtaking skillz behind the deckz. Whether working as a team or individually, Ben and Jamie consistently deliver astounding performances .. Dj' ing to them is an art, and with over ten yearz on the world Dj circuit they have the knowledge and experience to rock any party right ...

Artist: Dave Clarke 
Tittle: White Noise 295 
Genre: Techno
Rls date: 25.06.2011
Source: Web
Type: Set


Tracklist:


Part One

DJ Pierre & Green Velvet Vs Phuture - Acid Trax 2011
??? - The Extrovert Introvert
Little Nobody - Poiseworks (Shin Nishimura Remix)
Joseph Capriati - The Gallery
Marc Romboy vs Paris The Black Fu - Dark n Lovely (Kenny Larkin Remix)
Derves - Cygnus (Space DJz Remix)
Tommy Four Seven - Sevals (Terence Fixmer’s Mental Drive Remix)
Andi Muller - Comedown (360 Mix)
Chuckle - Scatterbrain
TACHINI - Balls
Ben Sims - As If
Advanced Human - Interplanetary Assaults (Sci-Fi Dub)

Part Two

Set From Space DJz

Set from Damon Wild live from Berghain in Berlin



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Something about Dave Clarke:

“I’m a pirate and I keep my loot,” says Dave Clarke with a wry smile. He’s quoting BowWowWow, specifically the song ‘C30, C60, C90, Go’, a thirty year old tribal punk-pop ode to home-taping. He sits back in the swivel chair at the sound desk of his Dutch Radio Studio, a sharply designed black and chrome space fleshed out with quirky visual flourishes. BowWowWow came up because he’s talking about his vinyl fetishism, the smell of 12”s in record shops, yet he hasn’t used the format professionally in eight years.

“I’m really buzzing about the new version of [virtual DJ mixing tool] Serato,” he enthuses, “I’ve always been at the vanguard of digital DJing and the internet enables me to get new music immediately. Sometimes I’ll be in a hotel, someone can send through a track fifteen minutes before I go to a venue and I think, ‘This is incredible, I’m playing this tonight.’ That’s such liberation compared with to waiting months for an acetate.” He pauses and reaches the crux of the matter, “It’s all artist to artist now, there’s no middle management.”

He may be known as The Baron Of Techno, a moniker given to him by John Peel, but Dave Clarke has an anarchist streak a mile wide and punk in his soul. Having no truck with establishment figures or authoritarianiasm, it’s unsurprising he revels in the libertarianism of the World Wide Web. It gives symmetry to his savvy techno vision.
“I got so much shit for being a futurist,” he states (he was the first Techno artist to release an Internet only single back in 2000), “When I started going digital and moved away from vinyl some of my fellow artists asked me, ‘How much are they paying you?’ How much is who paying me? It was such a strange situation - this is techno – it’s supposed to be forward-looking! I thought, ‘Whatever these people say, I’m still going to move forward, it’s the right course.”



Artist: Dave Clarke 
Tittle: White Noise 294 (Guest Sian) 
Rls date: 18.06.2011
Source: WEB
Genre: Techno
Type: Dj set


Tracklist:


Part 1

Sync 24 - We Rock Non Stop (Heuristic Audio Remix)
Code Rising - Steppin Back
Exzakt - Clarity (Lethal Agent Remix)
Scape One - Time Falls (Dynarec Remix)
The Hidden Persuader - System Saboteur - THP RMX
Code Rising - The Mission
Roman Zawodny - Locked Up
The Subdermic - Electric Cabaret (Remaster)
Francois Du Electronique - The Game
Stephane Signore - Sacrifice & Dedication 2011 (For my brother remix)
M.A.D.A - Micron_(Niereich_Remix)
The Black Dog - Black Chamber Order
Gesaffelstein - The Lack Of Hope
Aerphax - Toxitan City
System 7 - PositiveNoise (Carl Craig remix)

Exclusive mix from Sian

Sian Moorish Idol Octopus
Brendon Moeller Mainline Robags Relokk Tokk Mikks Echochord
Maetrik Crush On Me Cocoon
Martin Damson What The Fuck? Get Physical
Mutiny Swimming With Sharks Ovum
Xircus Hyperventilation Trapez
Paul Ritch Shake It Sci & Tec
Sian Are you reading this? Octopus
Mcbz Nizam Octopus
Christopher Bleckmann Cold Comfort Patrick Siech Mix Break new soil
Sian Beta Decay Octopus
Moodyman Dem Young Sconies Planet E


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Un poco acerca de Gayle San:
Gayle San es de Singapur, es extraño encontrar a una mujer como Dj, pero es aún más raro que haya una mujer de Singapur que pincha en clubs y eventos en todo el mundo. Su energía es vital para triunfar en todo el mundo y en clubs españoles donde la gente va a escuchar techno potente como La Real o Florida 135 donde ha sido una habitual. Tras sus primeros sets en fiestas de diferentes sellos, has sido residente en varios clubs en el Reino Unido donde se fue a vivir en 1990, e incluso consiguió una residencia mensual en el mítico club The Omendel no menos mítico Sven Väth en Frankfurt. Ahora vive en Heidelberg (Alemania) donde además de acordarse de nosotros dirije el sello Equator(Justin Berkovi, Cristian Varela...). Después de un tiempo sin poder dedicarse a él, en 2001 decidió relanzar su sello Equator con una producción a medias conJay Denham para, posteriormente, sacar nuevos trabajos de gente comoFlatner Ingram, Justin Berkovi, Bryan Zentz, Cristian Varela, Keita Shinohara. Entre sus últimas novedades encontramos Palazzo Vol CD Vol 2 que es su última referencia mezclada en el mercado donde selecciona lo último de artistas como Cari Lekebusch, The Advent, Patrick Skoog, Umek, Mark Broom, entre otros. También editó en 2004 The Experiments Remixers enBlack Code con aportaciones de The Advent, Gunjak y Regis. En 2007 se alía con Cari Lekebush para firmar Electrifying en Contact Music.


Artsit: Dave Clarke 
Tittle: White Noise 293 (Guest Gayle San) 
Rls date: 12-06-2011
Source: WEB
Type: Dj Set
Genre: Techno


Tracklist:


Part 1

Ben Sims (Feat Blake Baxter) - I Wanna Go Back
Cajmere and Gene Farris - The Inside
Marc Romboy vs Paris The Black Fu - Dark n Lovely (Kenny Larkin Remix)
Sigha - I Am Apathy, I Am Submission
Giorgio Gigli - Indifferent Sight (Terence Fixmer Remix)
Cisco Arias - Diode (Steve Parker Remix)
Mr. Jones - Warriors of Radness
The Subdermic - Electric Cabaret (Trust the Machine remix)
Ben Sims - Unity (DIGITAL + LTD VINYL ONLY)
Tim Wolff - Sad But True
Paul Edge - 23 (Niereich Remix)
Aerobic - Escape From You
Radical G - Shadowdancing
Baz Reznik - The Attic

Part 2

Exclusive Mix from Gayle San




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