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Something about Marco Bailey:

Having a superstar status in Belgium, he travels the world playing the biggest events as well as the small intimate clubs. His mixture of party techno, minimal and electronic house means he is a permanent fixture at all major European festivals and clubs. With love, hard work and fantastic sounds he has succeeded in gaining worldwide recognition. Playing events like Extrema Outdoor (NL), Awakenings (NL), I Love Techno (BE), Nature One (DE), Wire (JP), Monegros (SP) and clubs such as Zouk (SG), Ageha (JP), Space (ES), Industrial Copera (ES) and Chinese Laundry (AU) he has made clear that he still is a big force to reckon with.

Killer releases on Intec Records, Primate, Zync & Tortured, confirmed his strong reputation as a producer over the last eight years. He has since set up MB Elektronics & MB Selektions to release high quality music and remixes by none other than Adam Beyer, Umek, Ben Sims, Smith & Selway, Claude Young, Christian Varela, Redhead, Axel Karakasis and Takaaki Itoh. November 2009 saw the MB labels 55th release.

In 2000 he joined forces with Christian Varela to set up Pornographic Recordings, a respected outlet to give unknown talent a chance to release their music. After a short hiatus where both parties concentrated on their own careers the label is back up and running with releases from Joseph Capriati and Cristian Varela. The Pornographic parties, which are a great success in Spain, are continuing to become bigger and better around the world.

Marco Bailey does not like to think in boxes but more outside the box. Although he has an expansive taste in music, techno keeps intriguing him. Despite techno growing into a bigger genre with its sub-styles in minimal, tech house and hard techno, he still discovers fascinating records in every style. This is the reason Marco's sound is so diverse and surprising.

A slight change of both his production and DJ-ing styles has led to recent releases on John Digweed's forward-thinking Bedrock Records (‘Jungle Laps’, October 2009 / ‘Watergate EP’, January 2010 / ‘Rayavadee’ with Tom Hades, April 2010), with a new artist album due on the label in February 2011.

2010 has given Marco so many happy memories. Whether it be Marco’s shows with Carl Cox at Space Ibiza and Brixton Academy London, or the landmark of celebrating 60 releases on MB Elektronic’s with Marco’s ‘The Sixtieth’ compilation, or the honour of being voted 20th most popular DJ in Japan by the influential Loud Magazine. Most recently, Marco has releases currently available on Spektre’s Respekt Recordings (‘Sweet Narcoses EP’) and Fergie’s Rekluse label (‘Acid Sop’). Both EP’s are collaborations with Tom Hades and should keep the floors rocking over the New Year period with their heavy intense grooves and playful melodies. To finish the year off perfectly, Marco’s weekly ‘MB Elektronik Force’ radio show is now available worldwide as a podcast via iTunes.

Artist: Marco Bailey
Tittle: Elektronic Force Podcast 058
Rls date: 19-01-2012
Source: WEB
Type: Set
Genre: Techno

Tracklist:
01. Marco Bailey - Smasher [Intec]
02. Marc Romboy - Picnic Electronique (Deetron Remix)
03. Ray Kajioka - Spark [Kanzleramt]
04. Caytas & Patz - Are You Afraid (Joel Mull Remix)
05. Funk D'Void - Lucky Strike (Sian's Breakfast of Champions Mix) [Outpost]
06. Alberto Pascual - Continuous Learning [Plus 8 Records]
07. Luigi Madonna - Ask Yourself [MB Elektronics]
08. Marco Bailey - Kiev [1605]
09. Tom Hades - Einsatz [1605]
10. RedHead - Autostart [MB Elektronics]
11. Axel Karakasis - Revolver [Rhythm Converted]
12. Marco Bailey - The Lion [MB Elektronics]
13. Exercise One - Top Score [Coccoon Recordings]

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Something about Alan Fitzpatrick:

The continued rise of Alan Fitzpatrick is the biggest story in UK techno right now. Having enjoyed a rapid ascent since his emergence as the new kid on the techno block in the latter half of 2009, Fitzpatrick now enjoys a status as a highly respected and in-demand producer. By releasing his debut album for Adam Beyer’s globally renowned Drumcode label, Alan became the first act to record an album on Drumcode since 2005. The well-received ‘Shadows In The Dark’ long-player marked the culmination of a run of productions that saw Fitzpatrick publically name-checked as a one of the most exciting producers in techno by Adam Beyer, Dubfire, Carl Cox, John Digweed and Len Faki and being awarded a BBC Radio 1 Essential New Tune for his anthemic Reflections single on Bedrock. 2011 will see Alan evolve an already impressive production CV via collaborations with Adam Beyer, Cari Lekebusch and Joseph Capriati as well as remixes of Mark Broom, Funk D’Void and Alex Bau.

It has been Alan's partnership with Adam Beyer's Drumcode label that has produced his most significant work to date; releasing three chart topping EP's (Static, Face Of Rejection, Insurgent Series) on the label in addition to his ‘Shadows In The Dark’ LP and being one of a select handful of producers invited to remix Beyer's classic Remainings III. Elsewhere, Fitzpatrick’s studio services have been recruited by the likes of John Digweed & Nick Muir, Slam, Joey Beltram, John Digweed, Dustin Zahn & Joel Mull and Pascal Mollin. Indeed, such has been Fitzpatrick’s dominance of the techno scene in the last eighteen months that his productions have regularly filled the top positions of Beatport’s techno Top 100 chart at the same time.

The same unstoppable momentum has come to characterize Alan's style of techno; powering demand for his music worldwide, and filling his gig diary with weekends spent touring all over Europe as he completes the transition from being a highly regarded newcomer to a bonafide member of techno's producer vanguard. Focusing on his trademark sound of tough, hooky grooves and incendiary beats, An intuitive and dynamic exponent with Native Instrument's Traktor software, his big-room techno sound has seen him draw crowds in Germany (Berghain, Cocoon, U60311, Maria Ostbahnof), France (Rex, Inox, Le 25, S’Kandalo) The Netherlands (Awakenings, Paradiso, Catwalk, Doornroosje, Poema), UK (Fabric, The Arches) Italy (Old River Park, Rasmonan), Switzerland (La Zoo, D-Club, Das Schiff) and Eastern Europe (Kiwi Lithuania, Forsage Ukraine) plus key festivals like Kazantip Ukraine, Streetparade Zurich, SW4 London, Boom Portugal and Sziget Hungary.

Already well passed the landmark of 25 releases, Alan Fitzpatrick’s 8 Sided Dice Recordings label keeps on pushing forward as one of the most exciting new techno labels to emerge in recent times. Established as both an attractive home to high profile artists and a outlet for emerging talent the labels output continues to strike a balance between original tracks and remixes from Alan himself, as well as featuring productions from Cari Lekebusch, Slam, Heiko Laux, Gene Le Fosse, Dustin Zahn, Sasha Caressi, Harvey McKay, Nicole Moudaber, Rich Jones, and Chris Colburn.

Artist: Alan Fitzpatrick
Tittle: 8 Sided Dice Podcast #023
Rls date: 18-01-2012
Genre: Techno
Source: WEB
Type: Set

Tracklist:
01. Deepbass - Orion
02. Morphosis - Too Far (Marcel Dettman Remix)
03. Reset Robot - Moozboosh
04. Joel Mull - Constant Cresendo
05. Jeremy Olander - Vivrant
06. The Advent - Hybrid House (G Flame Mix)
07. Matthew Dear - Pinch and Pilage (Patch Park Supplement Mix)
08. Chris Colburn - Wide Awake (Rebekah Remix 2)
09. Truncate - Transients V2
10. Raffaele Attanasio - Black Bloc (Manzel Version)
11. Mihalis Safras - Luci (Jerome Sydenham Trackmode Remix)
12. Rich Jones - Below (Jon Gurd Remix)
13. Par Grindvik - Do Us Part (Grindvik & Billie 2011 Rework)
14. Alan Fitzpatrick - Prometheus

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Something about Christian Cambas:

As Greece’s foremost proponent of Electronic Dance Music, Christian Cambas is the country’s greatest dance music export. He studied and graduated from the prestigious Berklee College of Music, of which former alumni include Brian ‘BT’ Transeau, film score impresario Alan Silvestri & the legendary Quincy Jones.

In the beginning of his career he regularly DJ’ed alongside such luminaries as Carl Cox, John Digweed and Sasha and in 2005 he notably became the first Greek DJ to break into DJ Magazine’s Top 100 DJs poll, coming in at #88.

His debut cut ‘It Scares Me’ was released on John Digweed’s Bedrock imprint and he has gone on to record for some of the world’s most respected labels. As a remixer Christian has re-imagined massive club hits like Anarcrusan’s ‘In My Mind’ for Yoshitoshi Records, and others throughout the years. In addition to his production and remix career, he has been teaching a college-level Sound Engineering and Music Technology course.

In his hometown of Athens, he held a two year monthly residency at the legendary +SODA in Athens, and his touring schedule includes dates in North & South American Europe and Asia, with gig highlights including the San Francisco Love Parade and the WMC in Miami.

Moving on to new territory, Christian’s productions are now supported by a phalanx of scene-defining techno jocks, and he has signed tracks to labels such as UMEK’s 1605, Great Stuff, Toolroom, Rusted and others. His own imprint in partnership with Press & Play, Sabotage Records, focuses on uncompromising music and and is committed to delivering razor-sharp music that will shape the future.

Artist: Christian Cambas
Tittle: Electronic Groove Podcast EG #265
Rls date: 16-01-2012
Genre: Techno
Source. WEB
Type: Set

Tracklist:
01. Solo (UK) - Cringe [Kling Klong]
02. Umek & Stefano Noferini - Goes On [Deeperfect]
03. Paul Mendez, Zero 3, George F - Skytekk (John Rundell Remix) [LW Recordings]
04. Tom Hades - Inside The Cave [Iboga Records]
05. Spektre & Christian Cambas - Rebel Without A Cause [Incorrect Music]
06. Tom Hades - Einsatz [1605]
07. Pe & Band and DJ Mandraks - The Sound Of The Drums [1605]
08. Kiko - MG (Spartaque Remix) [I Am Techno]
09. Raul Mezcolanza & My Name Is Pinxo - Back2Back [Sabotage]
10. Aiho - Prohibition [WR Germany]
11. Loco & Jam - Colossus [MB Elektronics]
12. Terence Fixmer - The Arribal [Planete Rouge]

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Something about Emerson Todd:

Originally hailing from New Zealand but raised in Australia, Emerson has enjoyed tremendous success on both sides of the Tasman and is easily the most successful DJ/Producer to come out of both countries. Emerson first got the bug to collect music very early in life as his mother owned several independent record stores. This gave him access to pretty much anything and everything he could ever want to hear.

As fate would have it, Emerson returned to New Zealand in 1996 to visit family and friends. This visit ended up lasting for seven years and, before long, he had established himself as one of the country’s top DJ’s, balancing national tours with monthly gigs back in Australia. In 1998 he met Christiaan Ercolano and formed House of Downtown. This quickly gathered an impressive following with the success of their weekly radio show and their debut single ‘Up For the One’, which was supported by the likes of Derrick May.

The pair were soon snapped up by Universal Music who offered them their own label to run and release on. Subsequently, they produced two full-length albums. During this time, they also produced the complete movie score for UK Company Film Four (of ‘Lock, Stock and Two Smoking Barrels’ fame) for the movie ‘Stickmen’. In 2003, Emerson relocated to Australia to concentrate on production and audio engineering, producing for other artists and leaving his own music aside for the time. It didn’t take him long to find himself at the forefront of audio engineering in Australia, working with such great bands as The Presets, The Sleepy Jackson, Teenager and Pnau.

Having now worked for both major and independent labels locally and internationally, under aliases, in groups, and producing and engineering for many world-class acts, Emerson has finally stepped out from behind the desk. After 10 years producing and DJing, Emerson has now dedicated himself to refining his sound and cement his place at its forefront the first time.

From his early productions on Darren Emerson’s Underwater imprint, to becoming one of the latest signings on Claude VonStroke’s Dirtybird label, and now with a string of high profile releases to follow – It is clear Emerson Todd is breaking out in a big way.

Emerson has now built up a reputation that has projected him onto the international circuit. We look forward to seeing what is next in store for this talented producer.

Artist: Emerson Todd & James Creed
Tittle: Noice (Proton Radio)
Rls date: 18-01-2012
Genre: Tech House, Minimal
Source: WEB
Type: Set

Tracklist:
James Creed

01 J.rocc - The Star (Latin Remix)
02 Mr. Scruff - Bounce
03 Maceo Plex - The Feelin'
04 J Mode - The Trouble (Lee Curtis Remix)
05 Dana Ruh, Andre Galuzzi - Trambolla
06 Matteo Milleri - Jacks Tool (Pito Remix)
07 Feygin And Antek - Distant Memory (Dub Mix)
08 James Creed - Snarf
09 Eastmen - U Dig (Loco Dice Remix)
10 Anette Party Feat Anita Coke - Moreno
11 Onra - Keep On Lovin Me

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Something about Lance Blaise:

Producer, DJ and label owner Lance Blaise is becoming a true household name synonymous with underground techno music. Head of the prestigious American techno label Teggno, Lance has amassed a staggering catalog of music and original productions. A favorite play from the icons of electronic music (Carl Cox, Dubfire, Richie Hawtin, Laurent Garnier, to name a few), Lance has been riding a wave of success that few can top.

Also recording under a variety of monikers (Tattoo Detectives and Tacopimp most notably), Lance has signed his music to some of the best labels in the world including: Capsula, Spark Music, Phobiq, Illegal Alien Records, Empro Music, Incorrect, Sound of Acapulco, Rawthentic, Definition, Vandit, Tech Head, Mad Hatter, System, Lo Kik Records, Global Underground, as well as his own imprint Teggno Records. One of his steadfast supporters has been longtime friend and mentor, Carl Cox. Carl has taken Lance’s tracks for many of his compilations, licensed “ETC” to his Space Ibiza release and in 2010 signed “Faaktree” to his Global Underground CD, and the track rose to the #2 position on Beatport's Top 10. Carl has also asked Lance to share the stage with him on numerous occasions throughout the US.

In 2008, Lance really came into the world frame when his Tattoo Detectives track, “Il Salto Fuori” became one of Ibiza’s DJ anthems. Paul van Dyk commented “The Ibiza season in 2008 has been inspired by ‘Il Salto Fuori,’ and its all about ‘this dj is f_ckin crazy.’ Carl Cox was quoted on Resident Advisor stating that "This record is storming, its pumping techno in all it’s fury."

Late in 2008, Lance parted ways with Tattoo Detectives partner, and focused his productions on a more dark underground techno sound. This proved the right choice by one look at the Beatport charts. As Lance has re-established himself as a true innovator of this deep dark twisted new techno sound, fans have responded by shooting his tracks consistently into the Top 10 on Beatport.

Always on the forefront of what is cutting edge, Lance, as a DJ is breaking new ground. Not content to ‘just DJ,’ Lance strives and seeks out new technology to further push the boundaries of what a DJ can do. A self confessed ‘tech geek,’ Lance is an artist who can manipulate music and technology in ways not yet seen.

In 2010, Lance toured Europe, South America, and North America. Finding time for the studio, Lance released his first artist album entitled “Pretty Twisted.” Insanity harnessed within the confines of music is a good way to describe the journey this album takes its listeners on, and it’s interplay with complex (yet disturbingly subtle) sound effects, mark this album as a masterful take on the perverse and beautiful. This album had 4 tracks rise into the top 100 on Beatport, and 2 into the Top 10. Lance's dark sound has found its way into many new remixes this year, including his remix of Bodyscrub's "Pitched" which was released on Capsula (Italy). His remix was charted by Slam for their Drumcode chart, and it has been a mainstay in many sets by DJs around te globe.

In 2011 Lance is currently working on a handful of remixes and a few EPs for some selected labels. Lance has scheduled releases with a select number of great techno labels, as well as on his own label, Teggno. Look for Lance in a city near you as he is planning a new tour this coming spring/summer.

Artist: Lance Blaise
Tittle: Teggno Sessions Podcast # 242
Rls date: 17-01-2012
Genre: Techno
Source: WEB
Type: Set

Tracklist:

1 Twisted (Original Mix) – Frankyeffe
2 Dancing In The Dark (Original Mix) – Luix Spectrum, Mark Diablo
3 Omni Off Mono (Ascion Remix) – Cabarete Groove
4 Are You Afraid (Nihad Tule Remix) – Caytas & Patz
5 Destroy (Static Sense Remix) – Damolh33, Hertzman
6 Raziel – Forest People
7 Interference from Below (Ricardo Garduno Remix) – Nomad Spectrum
8 Aspirin (Kostas Maskalides Remix) – Fusky
9 SKRMBLD MNDS (Original Mix) – Lance Blaise, Sleepercell
10 Goom (Bonus Beatz) – Redshape

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Biography of Dylan Drazen:

Dylan Drazen is one of America's most well traveled and globally respected techno DJs. Despite his nature to fly steadily below the world's Superstar DJ radar over the past decade, Dylan has gained legions of devoted fans in worldwide broadband bedrooms who purr at the thought of him appearing in their home town.

Dylan is obsessed with finding and exposing new music. Professionally trained as a studio sound engineer, it was inevitable he'd start to create his own. His original productions have been showcased under esteemed labels like François K.'s Clicktracks and Chicago's Blueline, Montreal's Ascend and Sweden's G-Force. But most of his classic distorted hard techno work can be found in the archive of Brooklyn's Remains Records, run by Side Four co-pilot Tony Rohr.

Several of Drazen's tracks have been licensed for DJ mixes, including compilations from Chris Liebing, Frankie Bones, Germany's Scranzwerk series, WaveTec, and Portugal's Kaos house imprint. Dylan's most recent studio credits come as mix engineer for large scale mix CD compilations, from Ultra Records' Out.Anthems (in which he has a featured track) to the underground New York 2 "tha" Bone double CD for 2007.

The onset of Dylan Drazen's DJ career occurred in 1993; now he's performed in four continents and his musical memory is an encyclopedia of dance music history. When not on the road, he's either mining beats in his Brooklyn studio or diligently searching for set material in the troughs of New York's record shops. His productions span the arenas of house and techno--hard, tribal, deep, floating, pushing and swirling. Impossible to put to words, it's usually hour four into one of his extended sets where every style comes together--blending, lifting, causing a style unto its own.

During performances, Dylan's preferred musical palate consists of three decks, a couple of CD players, a looping sampler and outboard effects. During his frequent shows in Spain it's typical to see him grabbing, twisting and manipulating clusters of knobs buttons and faders, all precisely moved to follow his momentary sonic path. They often call him "un máquina," chasing the inspiration flowing through him. Nothing is planned until seconds before it occurs, and when it does, it is extremely deliberate. Sometimes daring and unexpected but strangely fitting sounds are injected into the system on the fly, displaying a true love for his craft. Not afraid to experiment, he risks humiliation before thousands.

Given a few hours of warming up, Dylan Drazen will challenge your taste and sense of what a DJ should be. Few master the flow of seamless genre shifting within one set with such technical mastery. His techno roots show as he occasionally dips into the more popular world of tribal and deep house. But he's also been known to execute sessions of straight ahead metallic techno without an ounce of deviation. Many factors contribute to where a set will go, but the final product won't be known, even to Dylan, until it's over.

Relentlessly rising as one of the world's primary international dance music luminaries, Dylan has even occasionally been granted access to the teched out booths in the most respected past and present nightclubs in his own backyard: Avalon, Arc, The Tunnel, Twilo and Exit. Refusing politics, a true hero to the underground, Dylan Drazen displays equal parts skill and sonic finesse, giving proof to the dream that living what you love can become a reality.

Artist: Dylan Drazen
Tittle: Live @ Industrial Copera - Granada - Spain
Rls date: 14-01-2012
Genre: Techno
Source: WEB
Type: Live set

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Live at Industrial Copera - Granada, Spain - January 14, 2012 by Dylan Drazen

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Something about Michel de Hey:

For his labels Michel has made several solo productions or releases in cooperation with Literon aka Gert-Jan Bijl, Secret cinema aka Grooveyard aka Jeroen Verheij and Mirko van Dommelen. Apart from his own labels Michel has also made music for Circle Records, Lilith Records, Artform, Lupp and Plink Plonk. Since a few years Michel also has HEY! records. On this label he only releases his own productions. The label has been supported by a whole range of dj’s from John Digweed, to Josh Wink, to Tom Middleton, to Adam Beyer. Furthermore he has had artists like Funk D ‘Void, Paul Klakbrenner, Polder, Mr G remixing tracks from the HEY! catalogue.

Furthermore, Michel is working on various compilation projects. The major ones are: the ‘Essential Elements’ series (EDM), the longest running Dutch dance compilation series since 1991, the ‘Technological Elements’ series (EDM), 'Impulz' (Influx), 'Dance Valley on Ibiza’ (Influx) and in-house compilation ‘Syntec’ (EC). Dance Valley Mainstage Edition, MDH01, 2 Faces. His latest cd offering “Recorded in Rotterdam” was highly appreciated and saw Michel supporting solely Dutch artists mixed on 1 cd. For the Amsterdam Dance Event of 2007 Michel produced ‘Recorded in Amsterdam’ where tracks from Rotterdam and Amsterdam based artists came together on one disc. And also his last mix cd, called No Nonsense, did it really well in Holland!

Not only on clubs, parties and cd’s you can listen to Michel, he also has his radioshow called HEY-Muzik. It is now broadcasted nationwide every Friday from 21.00-23.00 on Fresh Fm. The show just earned the first price for best ‘dance radio show’ of Holland this year (2009!).

If you want to tune in for a weekly update on underground minimal, tekhouse, and techno music; www.fresh.fm

But above all Michel is playing all over the world, while maintaining his status as the number 1 underground tekhouse/techno dj from Holland. He has entertained thousands and thousands of people with his unique sound. From Space Ibiza, to Indonesia, from a 4000 people Rotterdam solo beach party to the Womb in Japan, from Circo Loco at DC 10 to Creamfields, the list is endless. And without a doubt the list will grow.

In 2009 Michel has already been touring in Japan, China, Hungary, UK, Greece, Spain etc.

The next thing is his own club night, called HEY! It just started but the future already looks really bright! At the end of June Michel will go to South America where he will perform in countries like Argentine, Colombia, Peru, Paraguay and Uruguay! And also with a Ibiza gig, a lot of festivals and his own area at the Mysteryland Festival the summer will be ‘quite’ cool! To be up to date with everything check www.micheldehey.com

Artist: Michel de Hey

Tittle: Hey Muzik (Proton Radio)
Rls date:16-01-2012
Genre: Tech House
Source: WEB
Type: Set

Tracklist:

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Something about Alex Bau:

With starting his own label „Toneman“ back in 2000 Alex Bau also started to his soloproductions for labels like Chris Liebing`s “CLR” or the Montreal based label "Default Recordings". Montreal can be understood as a kind of scale of Alex` DJ-activities too! Within 3 years he has been booked to Montreal four times, his set from the legendary night at “Aria” from january 2006 was even released as a mix-cd “live at Aria / Montreal” so that Alex came back months later to perform on the releaseparty, once again a night to remember for the Montreal technomovement. At this time Alex was already booked as the headliner, and its reported by numerous mails and guestbook-entries that it was not a mistake to do so. Maybe also as a small, unconscious “thank you”, but mainly due to a very inspirational night he spent in Halifax, where he flew over to Canada for just one night, he declared an EP as the “C.A.N.A.D.A. EP”, which was released on CLR in late 2007 and received overwhelming feedback from all over the globe. People desrcibed the tracks “Summer in Moncton” and “Halifax Funk” as masterpieces of contemporary technomusic which seperates positively from the rest, mainly dominated by minimal clicks and cuts.

But it`s not only Montreal, where Alex is being booked again and again, there are also other places, which obviously is a sign that he seems to be a guy who understands what to do when standing in front of people and trying to bring the party to the max. Clubs like Frankfurt`s "U60311", where, among other dates, he was part of the closing night of Chris Liebing`s legendary partyseries “Es ist Freitagaaabend”, Munich`s "Electric Delicate", Würzburg`s "Airport", or the legendary "Tresor" in Berlin are not only the trademarks of german technoclubculture, they can also be found on Alex Bau`s giglist. Japan, Braszil, USA, Canada, Poland, Croatia, Serbia, Holland or the closer Austria and Switzerland are some of the tourstops on Alex` calender, and no matter where, all over the places people can hear and feel how interesting, versatile and powerful techno can be if you understand to combine minimal and straight techno as a constant up and down. Always everything under control while the party is going wild, that`s what Alex is always going for. That`s also something what the crowd seemed to have experienced, so that Alex was voted among the 20 best national DJ`s on the poll from Germany`s leading Dancemagazine, Raveline, in 2006.

After a short intermezzo as an official artist on the highly acclaimed label „Zenit“, that has been the platform for acts like Marco Carola, Adam Beyer, The Advent, Gaetano Parisio and many more, he now puts the focus back again on an own platform after releasing his album „Credo“ as a sublabel from Zenit, which is now “continued” as his personal artist label with already highly acclaimed releases like “My bleepy helloween” or “Bullet in your heart”, minimal tunes go together with peaktime slammers in a way that appears obvious and logic. This fact and the music on “Credo” attracts a lot of leading colleagues of Alex like Chris Liebing, Dubfire, Adam Beyer, Stephan Bodzin or also Charles Siegling aka Technasia, who invited Alex to join the worldfamous Sino-Label by end of 2008. The feedback on Alex` music is growing constantly, he turned out to be one the few real technoproducers since 2008 and his decision to focus on only a few, but very powerful and strong releases on labels like CLR, Sino or Credo speaks for itself. After releasing numerous succesful releases and remixes in 2009, e.g. “Red Chromosome” on CLR or the “Dark Summer Nights” on Credo, which has to be repressed again and again and was even featured on the German Club Charts (DDC), Alex was really touched by the fact that one of his musical idols, Martin L. Gore, has picked a remix from him (Marko`s “Everything turns black” Remix by Alex) for his pre-show-dj-set of the worldwide Depeche Mode “Tour of the Universe”. 2010 will not only see Alex being a part of handful of high-class artists to create the “10 years CLR compilation”, it will also be the year of Alex` next album “Being Wayne Sidorsky”, an outstanding album and a compilation of tracks which are totally dedicated to the bas(s)ic energy of Techno, something Alex always stood for and will always stay stand for. Techno can do a lot, if you let it do so. That`s the credo. His credo.

Artist: Alex Bau

Tittle: Wasabi Tunes on Insomniafm
Rls date: 17.01.2012
Genre: Techno
Source: WEB
Type: Set

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Something about Manuel de la Mare:

Italian born producer/dj, Manuel De Le Mare has spent the past 24 months delivering money-shot releases and remixes, whilst marrying a lifetime of passion and dedication to his love of DJing. This ability within his musical sphere has pricked the interest of global artists like Mark Knight, John Acquaviva and Feddle Le Grand who have all requested his studio talents, whilst leading Beatport to bestow him the award of ‘Best Remixer 2011’, a suitable follow up on his nomination for ‘Best Deep House and Techno Artist’ back in 2010.

With his music growing in stature on ever release, the demand with his bookings has not been far behind. Already a familiar face at global venues like Ministry of Sound in London, Womb in Tokyo and Fabrik in Madrid, Manuel has managed to procure a global fan base that has enabled him to perform his music throughout Europe, Asia, Middle East, Africa, as well as North and South America.

His sound stretches somewhere between house and techno, whilst respectfully treading the line between commercial and credible underground. It is this quality which has led to him having already amassed label credits with some of the scenes finest imprints; Universal, Toolroom, Ministry of Sound and Stealth.

The strength of his own recording label, which he runs with Alex Kenji and Luigi Rocca, is a testament to his intelligent foresight within his music. In a little under five years, 303Lovers and Hotfingers have both respectively find themselves being earmarked by major players like Richie Hawtin, Mark Knight, John Acquaviva, UMEK and Tiësto, Pete Tong, Bob Sinclar, Roger Sanchez, Axwell, David Guetta as a solid source of good quality electronic music.

Artist: Manuel De La Mare
Tittle: Tiger Weapons (SSL)
Rls date: 16-01-2012
Genre: Minimal, Tech House
Source: WEB
Type: Set

Tracklist:

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